Coleman Hawkins Good Old Broadway (1962) [xrcd Remastered 2000]

Coleman Hawkins - Good Old Broadway (1962) {JVC XRCD}  Music

Posted by tiburon at Sept. 11, 2018
Coleman Hawkins - Good Old Broadway (1962) {JVC XRCD}

Coleman Hawkins - Good Old Broadway (1962) {JVC XRCD}
EAC 0.99pb5 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 202MB + 5% Recovery
MP3 CBR 320 Kbps | 97MB + 5% Recovery
Genre: Bop

Coleman Hawkins is frequently identified as the "father" of jazz tenor saxophone playing. With a perfect rhythm section featuring his working band - Tommy Flanagan on piano, Manor Holley, Jr. on bass, and Eddie Locke on drums, Hawkins showcases his illuminating artistry on this collection of love songs from Broadway shows. This "classic" Hawkins album has never before been available on CD.

Coleman Hawkins Quartet - Complete 1962 Studio Recordings (2013)  Music

Posted by gribovar at July 31, 2020
Coleman Hawkins Quartet - Complete 1962 Studio Recordings (2013)

Coleman Hawkins Quartet - Complete 1962 Studio Recordings (2013)
EAC Rip | APE (image+.cue+log) - 830 MB | Covers - 19 MB
Genre: Jazz | RAR 3% Rec. | Label: Fresh Sound Records (FSR-CD 763)

The sound of Coleman Hawkins remains, after all these years, as immediately recognizable as his direct and compelling ability to swing. No jazzman played with more fire the uptempo tunes and no one could be more persuasive on ballads. With the fluent support of his then-regular rhythm section, he made these four excellent albums. Three Good Old Broadway, No Strings, Make Someone Happy which include jazz versions of Broadway show tunes, are from Prestiges Moodsville series. The fourth, Today and Now, made for Impulse, explores everything from gentle, moody ballads and bluesy, mid-tempo pieces to some Hawk originals. Overall, this 2-CD set is an interesting mixture of classics and undeservedly lesser-known compositions…
Sonny Rollins and Coleman Hawkins - Sonny Meets Hawk! (1963) [Reissue 2000]

Sonny Rollins and Coleman Hawkins - Sonny Meets Hawk! (1963) [Reissue 2000]
EAC Rip | FLAC (tracks+.cue+log) - 268 MB | Covers (12 MB) included
Genre: Jazz | RAR 3% Rec. | Label: RCA Victor Gold Series (74321748002)

Throughout a career that spanned more than 40 years, Coleman Hawkins consistently maintained a progressive attitude, operating at or near the cutting edge of developments in jazz. If Hawk's versatility came in handy when he backed Abbey Lincoln during Max Roach's 1960 We Insist! Freedom Now Suite, he took on an assignment of challenging dimensions when in 1963 he cut an entire album with Sonny Rollins in the company of pianist Paul Bley, bassists Bob Cranshaw and Henry Grimes, and drummer Roy McCurdy. Coleman Hawkins and Sonny Rollins each virtually defined the tenor saxophone for his respective generation…
Kenny Burrell & Coleman Hawkins - Bluesey Burrell (Remastered SACD) (1962/2019)

Kenny Burrell & Coleman Hawkins - Bluesey Burrell (Remastered SACD) (1962/2019)
XLD Rip | FLAC (tracks+log+.cue) - 171 Mb | MP3 CBR 320 kbps - 79 Mb | 00:34:34
Jazz, Bop | Label: Analogue Productions

Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3 and also released on Hybrid SACD All mastered from the original analog master tapes by mastering maestro Kevin Gray.
Tiny Grimes With Coleman Hawkins - Blues Groove (1958) Remastered Reissue 1994

Tiny Grimes With Coleman Hawkins - Blues Groove (1958) Remastered Reissue 1994
EAC | FLAC | Tracks (Cue&Log) ~ 309 Mb | Mp3 (CBR320) ~ 106 Mb | Scans included
Label: Original Jazz Classics, Prestige | # OJCCD-817-2 (P-7138)
Jazz, Blues, Guitar Jazz, Bop, Jump Blues, Mainstream Jazz | Time: 00:45:00

The jazz world was reintroduced to the four-string guitar of Tiny Grimes with this recording. Grimes, who worked to great acclaim with the Cats and a Fiddle and Art Tatum, made studio magic with Charlie Parker and Ike Quebec, and enjoyed some commercial success with his Rocking Highlanders, emerged here from a period in Philadelphia with a strong local rhythm section (including pianist Ray Bryant), the tart flute of Musa Kaleem, and the immortal tenor of Coleman Hawkins. The program mixes three distinctive blues lines with nods to Goodman and Basie, and reflects the quality sessions that would soon form the Prestige Swingville series and create a mini mainstream revival.

Coleman Hawkins Quartet - Today And Now (1963) [Reissue 1996]  Music

Posted by gribovar at Oct. 19, 2022
Coleman Hawkins Quartet - Today And Now (1963) [Reissue 1996]

Coleman Hawkins Quartet - Today And Now (1963) [Reissue 1996]
EAC Rip | FLAC (image+.cue+log) - 226 MB | MP3 CBR 320 kbps (LAME 3.93) - 94 MB | Covers - 22 MB
Genre: Jazz, Mainstream Jazz | RAR 3% Rec. | Label: Impulse! (IMPD-184)

Today and Now is an album by American jazz saxophonist Coleman Hawkins featuring performances recorded in 1962 for the Impulse! label. Coleman Hawkins has a distinctively mellow sound, which on this disk he applies to both some gorgeous ballads (Quintessence and Don't Love Me) and some upbeat so-called "folk" songs (especially Go Lil' Liza and Swingin' Scotch).
Coleman Hawkins - Today And Now (1963/2012) [DSD64 + Hi-Res FLAC]

Coleman Hawkins Quartet - Today And Now (1963/2012)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 40:34 minutes | 1,03 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 40:34 minutes | 833 MB
Studio Master, Official Digital Download | Artwork: Front cover

Coleman Hawkins recorded three sessions for Impulse Records in the early to mid '60s. Of the three, Today And Now is the most compelling. The unusual choice of repertoire is what sets this album apart. Versions of the traditional song "Go Li's Liza" and the fairly obscure Quincy Jones ballad "Quintessence" are creatively rendered. Indeed, Hawk seems inspired throughout; he plays with an abandon that is altogether effortless.
Coleman Hawkins - At Ease With Coleman Hawkins (1960) [Reissue, Remastered]

Coleman Hawkins - At Ease With Coleman Hawkins (1960) [Reissue, Remastered]
EAC Rip | FLAC (tracks+.cue+log) - 213 MB | Covers - 29 MB
Genre: Jazz, Bop, Mainstream Jazz | RAR 3% Rec. | Label: OJC/Prestige/ZYX Music (OJC20 181-2)

Recorded originally for the Prestige subsidiary Moodsville, Coleman Hawkins (along with the Tommy Flanagan Trio) sticks exclusively to ballads and slower pieces, all played at a low flame. Although it is nice to hear the veteran tenor interpreting "Poor Butterfly" and "I'll Get By," this CD is more successful as pleasant background music than as creative jazz.

Coleman Hawkins - Hollywood Stampede (1989) {Capitol Jazz}  Music

Posted by TestTickles at Aug. 26, 2021
Coleman Hawkins - Hollywood Stampede (1989) {Capitol Jazz}

Coleman Hawkins - Hollywood Stampede (1989) {Capitol Jazz}
EAC Rip | FLAC with CUE and log | scans | 211 mb
MP3 CBR 320kbps | RAR | 126 mb
Genre: jazz

Hollywood Stampede is a 1989 compilation CD by Coleman Hawkins. This expands on the original Capitol compilation of the same name released in 1963, using material recorded in the mid 1940's. This version was released by Capitol Jazz.
Coleman Hawkins - In A Mellow Tone [Recorded 1958-1962] (1998) (Repost)

Coleman Hawkins - In A Mellow Tone [Recorded 1958-1962] (1998)
EAC Rip | FLAC (tracks+.cue+log) - 282 MB | Covers (4 MB) included
Genre: Jazz | RAR 3% Rec. | Label: Prestige Records (00025218600125)

This CD pulls material together from sessions dating between 1958 and 1962. After fourty years of legend status Hawkins was still inspiring, and being inspired by, younger musicians. Among those supporting the venerable icon are Red Garland, Tommy Flanagan, Eddie "Lockjaw" Davis, Ron Carter, and Kenny Burrell. The generally laid back material ranges from standards, tender blues, a couple up-tempo blowing numbers, and an enjoyable nonet piece on "Jammin'in Swingville". While the take on "Greensleeves" seems a bit sappy, this is an entertaining, if unspectacular set of music from Coleman Hawkins. Longtime fans of Bean will be pleased with this cd, and while it is not the best introduction to one of the giants of jazz, it is enjoyable enough to recommend to new listeners because Hawkins' faculties are in check, and he still possesed one of the best sounds of all time.