Dear Mr Time were originally around at the dawn of the 1970s when, in line with many fascinating obscurities of this type, they recorded a sole album before imploding and disappearing in a tidal wave of public apathy. Like many of these curios, the album later became a sought-after collectors’ item on vinyl, fetching significant sums whenever it appeared.
The album is actually a conceptual piece telling the story of a man’s life from birth to death. Now, this wasn’t an original idea even then, but it is surprisingly well-executed, even now not appearing too dated. The influences are clear throughout: the album comes across as something of a cross between The Moody Blues and King Crimson’s first album…
Super deluxe six disc edition boasts an abundance of material. Disc one features a 2016 remaster (by Andrew Walter at Abbey Road) approved by Charlie Burchill and the second disc gathers 12-inch remixes and instrumentals of the singles, a few of which enjoy their CD debut. Various edits and B-sides can be found on the third CD in the set while disc four features previously unreleased BBC John Peel and Kid Jensen radio sessions, recorded in February and August 1982. All ten tracks on disc five are previously unreleased; made up of alternative mixes and demos and the icing on the cake is the sixth and final disc which is a DVD, featuring Charlie Burchill and Ronald Prent's 5.1 surround sound mix, first released on the now long out-of-print DVD-Audio in 2005. This mix of the album is a unique 'full duration' mix which is different to the standard version. DVD also includes promo videos and a few Top of the Pops performances. Note, this is a DVD-V unlike the DVD-A/V disc from previous Simple Minds box sets.
Eleven years after their 1973 eponymous debut on Mercury, Randy Bachman brings brother Tim Bachman, C.F. Turner, and original Chad Allan/Guess Who drummer Garry Peterson together for this very decent set, also self-titled Bachman-Turner Overdrive, on a Mercury subsidiary, Nashville's Compleat Records…
Black Widow may have enjoyed a reasonably long and defiantly varied career. But to anyone who cares, they will be remembered for just one song, "Come to the Sabbat" – not a hit single, but a standout on a cheapo label compilation in the early '70s, and destined to live on for decades after the band. Naturally, the accompanying Sacrifice album has bounced along in its wake, first as an increasingly expensive vinyl collectors' item, more recently as a regular on the CD reissue circuit, and here it comes again, this time bearing more primal Black Widow than you could ever have dreamed of hearing. Ultimate Sacrifice: One opens, naturally, with the original seven-song album.