Praised by Gramophone as ‘one of the more original thinkers of his generation’, the Italian pianist Federico Colli is internationally recognised for his highly imaginative and philosophical interpretations and impeccable technique. This album is the first instalment of a new, intensely personal project for the pianist: an exploration of selected piano works by Mozart. It was the discovery (at the age of around six) of Mozart’s music that caught the imagination of the young Federico and inspired him to study music, and it was winning the International Piano Competition Mozart, in Salzburg, that launched his career as a pianist. His approach has been to immerse himself completely in Mozart’s own experience at the composition of each piece: where was Mozart living, what was he doing, what were his motivations behind each composition? Only after in-depth study of biographies of Mozart, his (and others’) letters, the historical, social, and political background, the Zeitgeist, the cultural atmosphere surrounding each work, does Colli then approach the scores and start the process of building his interpretations.
Following a highly successful series of concerts in the summer of 2022, Francesca Dego, Timothy Ridout, Laura van der Heijden, and Federico Colli headed into the studio to record Mozart’s Piano Quartets. Whilst he may not have been the first composer to add a viola to the popular piano trio, Mozart was certainly the first to do so with such outstanding success. In his piano quartets, the strings become an equal partner to the piano, rather than mere accompaniment – much as in his piano concertos.
Chandos' new exclusive collaboration with the recent Salzburg and Leeds competition winner Federico Colli is kicking off with this first volume in a unique Scarlatti series. Playing on a modern Steinway, the Italian pianist internationally recognised for his intelligent, imaginative interpretations and impeccable technique here explores the keyboard sonatas of Scarlatti, taking a fresh approach from a philosophical angle, by grouping the compositions into 'chapters' in order to reflect the many contrasts of his life and his contradictory personality.