Born in Bonn around 1620 to Veronese parents, Massimiliano Neri was choirmaster at the Ospedaletto and organist at St. Mark's in Venice, where he published his first volume of Sonatas and Canzonas. He presented his second collection of Canzonas and Sonatas to the Emperor Ferdinand III in Vienna in 1651, later becoming Kapellmeister to the Prince-Elector of Cologne in Bonn in 1664. His affections, however, remained Italian: he married the Florentine singer and composer Caterina Giani in 1654. Many of Neri's compositions suffered extensive war damage in various periods; important musicological reconstruction has recovered parts of them that would otherwise have been lost forever.
Giovanni Sgambati led the revival of Italian orchestral music during the late 19th century. He was a favourite student of Liszt, admired by Wagner, and a pivotal figure in the emancipation of his country’s music from the dominance of bel canto opera. The Piano Concerto in G minor is a stirring and inventive work signalling a new beginning for Italian piano music on the international stage. It offers a synthesis of the possibilities of the genre, evoking Liszt, Brahms and Tchaikovsky, as Sgambati constantly transforms his thematic material to heroic effect. Sinfonia festiva is a short, confidently written work inspired by the dance-like character of Beethoven’s Seventh Symphony.
Italian cellist Massimiliano Martinelli is one of the most talented musicians on the international scene today. His album “Bach – Complete Cello Suites”, published under the Halidonmusic label, quickly surpassed 4 million views on YouTube after its initial release – making it one of the most popular recordings of the Bach Suites for Solo Cello on the platform.