Color Collective's Palette Perfect: Color Combinations Inspired by Fashion, Art And Style

Jana Lewitová & Rudolf Měřinský - Lute Songs in 16th and 17th century Europe (1991) {ARTA Records F 1 0017-2211}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 179 Mb | MP3 @320 -> 133 Mb
Full Artwork @ 600 dpi (png) -> 126 Mb | 5% repair rar
© 1991 ARTA Records | F 1 0017-2211
Classical / Renaissance / Early Music / Vocals / Lute

We shall probably never know when it was that a human voice first joined a musical instrument in song. Classical antiquity was familiar with the combination, and though we may feel that the divine Apollo with his golden lyre is not convincing evidence, the poets who accompanied their lyrics with a lyre or kithara in Olympic contests are historically attested. The biblical David with his harp, singing to allay the wrath of King Saul, became the symbol of the human and the divine principles in art. From time immemorial the human voice, a gift from above – from God, Nature or the Fates – accompanied by a musical instrument devised by man (perhaps to feel himself closer to the Creator), has given expression to the inexpressible – the very essence of music.

In addition to being a world-class violinist, pianist, conductor, and teacher, George Enescu was a well-renowned composer. In fact, his most celebrated violin pupil, Yehudi Menuhin, made the prediction that Enescu’s compositions would become ‘one of the great discoveries of the twenty-first century’, and, indeed, in recent years Enescu’s works have become more widely performed.