Violinist Irvine Arditti, pianist Claude Helffer, and the Spectrum ensemble conducted by Guy Protheroe produce consummate performances of the Greek avant-gardist's unwieldy chamber music. If you're familiar with Xenakis's career you'll know he was trained in mathematics and enjoyed a successful career as an architect. Such background might prepare you for the music's preoccupation with line, volume, and form in an unusually abstract way, but it won't prepare you for its visceral, almost primitive power. On Akanthos, the singer Penelope Walmsley-Clark must cope with what is surely one of the most ridiculous soprano parts ever written.
Composed between 1963 and 2005 these four works form a spectrum that demonstrates a tendency among composers of American concert music to draw from a wide range of musical streams – classical, popular, folk and jazz. This colourful programme is performed by the North Carolina Symphony on their first BIS recording, conducted by Grant Llewellyn and with solo appearances by the celebrated jazz saxophonist Branford Marsalis and his quartet.
VIRIDITAS was founded in 1991 by Juliette Hughes, initially to perform the Ordo Virtutum of Hildegard of Bingen. The group is dedicated to re-thinking the performance of music of the 12th-century Latin West in contemporary framework. It is also involved in the performance of 20th-century music, seeking to set up a dialogue between music of different traditions.