John Coltrane's week at the Village Vanguard in 1961 resulted in a total of 22 recorded versions of nine songs, all of which have been released in the four-CD box The Complete 1961 Village Vanguard Recordings. This 1998 single CD has the five performances that the great saxophonist had agreed to have released during his lifetime: three numbers from the original Live at the Village Vanguard LP ("Spiritual," "Softly as in a Morning Sunrise," and "Chasin' the Trane") and two songs that appeared on Impressions (the title cut and "India"). Although branded as "anti-jazz" by John S. Wilson (an attack that was seconded by Leonard Feather), the music is actually quite coherent and would even be thought of as moderately conservative today, particularly "Spiritual" and the boppish rendition of "Softly"…
Live at the Village Vanguard Again! is one of the more hotly contested albums in John Coltrane's catalog. Released less than a year before his death, the original recording showcased his new quintet with Alice Coltrane, piano; Pharoah Sanders, tenor saxophone; Jimmy Garrison, bass; and Rashied Ali, drums. Additional percussion on the date was provided by Emanuel Rahim. The three selections here are what survive from a much longer tape. Coltrane's signature ballad "Naima" opens the album and goes on for over 15 minutes. One of the most iconic tunes in his repertoire, the treatment it is given here is radical. While the melody is referenced in the beginning, Coltrane moves it aside fairly quickly to concentrate on improvisation.
John Coltrane returns to the Village Vanguard – but his sound here is a lot more far-reaching than a few years before! The album's a great counterpart to the first Vanguard session – as it takes all of the bold, soaring energy of that date, and balances it with the newly introspective sound of the later Coltrane years – plus some of the freedoms learned from the Love Supreme era. The group here showcases the new territory explored by Coltrane – with Trane himself on tenor, soprano, and a bit of bass clarinet (echoing earlier Dolphy), plus Pharoah Sanders on additional tenor, Alice Coltrane on piano, Jimmy Garrison on bass, and Rasheid Ali on drums. The album only features 2 long tracks – an incredibly soulful version of "Naima", and a very firey version of "My Favorite Things", but one that begins with a haunting bass solo by Garrison!
The album newly remastered from the original master tapes. This set documents the four-night stand by John Coltrane (sax) and his quintet at the Village Vanguard in New York City, November 1 – 5, 1961. Although these are not newly discovered tapes – as the majority of the selections have turned up on no less than five separate releases – their restoration is significant in assessing motifs in Coltrane's [read: multi-show] live appearances. Coltrane is accompanied by an all-star ensemble of Eric Dolphy (alto sax/bass clarinet), Garvin Bushell (oboe/contrabassoon), Ahmed Abdul-Malik (oud), McCoy Tyner (piano), Jimmy Garrison (bass), Reggie Workman (bass), Elvin Jones (drums), and Roy Haynes (drums). Their presence is as equally vital as Coltrane's – inspiring as well as informing the dimensions of improvisation.
Limited edition 5-CD box set containing five classic, influential John Coltrane albums from his Impulse discography.
Each album newly remastered from the original master tapes.
If you have not heard Gerald Clayton live, especially if you have not heard him live with Charles Lloyd, you may wonder what all the buzz is about. It’s not that Clayton’s records have been weak; four have received Grammy nominations. But he has never made an album that fully renders the revelation of hearing him in person on a good night. Until now. Happening represents two firsts: Clayton’s Blue Note debut and his only recording at the Village Vanguard. It is not piano-centric; the band is a world-class two-saxophone quintet featuring Logan Richardson (alto), Walter Smith III (tenor), Joe Sanders (bass), and Marcus Gilmore (drums). But Clayton’s piano contributions, in their wild, free-spilling, lyrical aspiration, are consistently stunning.