A collaboration between virtuoso guitarist Vini Reilly and legendary Manchester producer Martin Hannett, the Return of The Durutti Column paired Reilly's non-rock sketches with Hannett's electronic textures to produce "perfectly realized, correctly ambient and inventive music" (NME). The infamous sandpaper sleeve was somewhat less user friendly. Inspired by a 1959 Situationist publication by Guy Debord and Asger Jorn, the relentless iconoclasts at Factory hoped that the abrasive packaging would destroy existing record collections.
Expanded double disc editions on vinyl and CD of LC, the second studio set by The Durutti Column, originally issued by Factory in 1981 and ranked among Vini Reilly's finest albums.
A very different compilation with little or no overlapping material could just as easily earn the right to be titled The Best of the Durutti Column. Vini Reilly's discography is so deep that any track selection would look somewhat arbitrary. Despite that, this two-disc set, released in 2004, does an admirable job of distilling over 20 years of material into a digestible introduction. Even most of Reilly's longtime, fanatical followers would have to agree - with some reservations, perhaps - that this is a representative way to gain an understanding of one of the most prolific and unique individuals to have started during the punk era. If this set should happen to hit all the right nerves with you, there are no less than ten good to spectacular studio albums waiting to be devoured.