Comic Unreal From No.12, 2016 in Pdf

On the new album: A fantastic new album from one of the best German Bands. Fire From The Soul combines all elements you can expect from a new Epitaph album in 2016: singing twin-guitars and sparkling rock songs with choral singing for several voices. This album is surprising all along the line through the steady quality from first to last song…

Even though they started out on Musea, EGOBAND is another Mellow Records Italian obscurity. What does that mean? It means it's hard to find band information. But there is enough to paint a picture. The first album's lineup consisted of Alessandro Accordino on vocals and keyboards,
Fabio Cioni on drums,
Massimo Fava on guitars, and Alfonso Capasso on bass. However, only Accordino and Capasso would be consistent with the group over its four-album career. This, along with the fact that there were no live efforts, leads to speculation that EGOBAND may have been more of a project than a band (a la Steely Dan). They went through interesting changes over their career. Starting out purely Neo, with heavy AOR tendencies, and ending up almost in Canterbury territory by the time they got to "Earth"…

Ladies and gentlemen, scoot over, there is something fiery in the world of blues, bursting into flames, and sooner or later we’ll all be catching. But do not be fooled, JLH know their way around the field, from the drums to the vocals, it is all quality that only years of experience can provide. Not only does Jane Lee Hooker take on classics, they’ve been influenced by the greatest in Blues and with its debut album, the band flaunts it hitting all the right notes. A badass punk rock sound, with the smoothness of blues, the five member group has it all, bringing an old school vibe that is nothing but refreshing for the blues rock scene. These New Yorkers are making noise, and it will just get louder, hence the ! in No B! Jane Lee Hooker takes on classics like “Mannish Boy” by Muddy Waters, one of its biggest influences, while staying loyal to the original version. The group’s style is still palpable; just the same when it comes to her its take on traditional songs. “Wade in the Water” was given a killer guitar riff halfway through, and “Didn’t it Rain” has a very particular sound, the old and the new mixed and matched.

Bamako-based producer/educator Paul Chandler has been documenting the sonic and cultural complexities of Malian traditional music for more than a decade and “Every Song Has Its End” is an out-of-time, visceral collection of sounds from Chandler’s unparalleled archive.