The extraordinary series of 1998-2006 recordings of the nine published books of madrigals by Monteverdi, from Claudio Cavina and the Italian ensemble La Venexiana, is now available in limited-time and limited-number boxed set form from Glossa. This multi-award-winning cycle set new standards in textual declamation, rhetorical color and harmonic refinement. Also included is the Live in Corsica album of Monteverdi madrigals (2002) and a newly-written essay by original series essayist Stefano Russomanno of which all, along with full texts and translations in PDF form, are also included.
Over the years Glossa has been at the forefront of releasing recordings of late Renaissance madrigals, and the label has had the pleasure of assisting superlative artists in doing so: none more so than the voices of La Venexiana and its director Claudio Cavina. This release is a reflection of such creative richness. The recordings on this release date from the dozen years after La Venexianas foundation in 1996, a time of great activity for the ensemble, and which complements the Monteverdi Complete Madrigals Books set, released previously. These two impressive collections demonstrate effectively why La Venexiana has been so popular with audiences and why it has been praised by critics as well.
Claudio Monteverdi's Seventh Book of Madrigals, written in 1619, was really the first that was fully part of the new operatic age – and really the first to consist of pieces that were not really madrigals at all. For all of the soloistic and operatic expressive devices, for all the block chords that had appeared in the previous few books, this was the first set in which Monteverdi dispensed with the traditional five-voice texture of the madrigal.
La Venexiana's Secondo Libro del Madrigali is the second volume in an edition devoted to the recording of all eight of Claudio Monteverdi's madrigal collections undertaken by the Spanish label Glossa. In promotional materials for the series, Glossa admits that this is a "time when 'complete' recordings seem to be coming less meaningful and attractive for the music lover" but have decided that there is need for such a series, especially as La Venexiana is so well-versed in the madrigals of Monteverdi.
To complete their masterful Monteverdi Edition, Claudio Cavina and La Venexiana start at the beginning - the Madrigali a cinque vociā¦ Book One. Monteverdi's exploration of the madrigal art form, was to occupy the composer for more than 50 years..