Only six months after the third volume of Verve Remixed was released, Verve issued this, a box combining the three volumes of the series with an additional disc of extra remixes.
Though variously rooted in hip-hop, rave and dance clubs sensibilities, the art of mixology has evolved into a potent staple of contemporary pop music. That mainstreaming reached a new zenith with the release of the first installment of Verve Remixed in 2002 and continued to expand via two subsequent collections of eclectic Jazz/R&B-rooted remixes that found a growing, enthusiasitc audience at public radio and other adult-oriented radio outlets. This set compiles those three savory, largely Downtempo anthologies of Jazz-DJ Fusion, from the reworked takes on classic vocalists like Ella Fitzgerald, Sarah Vaughan and Billie Holiday that dominated the first set to the follow-up editions' more expansive palette…
Masters Of American Music The Story Of Jazz may be the most concise informative documentary on jazz to date. Five discs consisting of six and a half hours of material is presented in concise, informative segments. Comparisons to Ken Burns Jazz are inevitable, but unnecessary. This documentary combines extremely rare footage of performances and interviews to analyze the evolution of jazz and highlight four of its icons. Originally a television 'mini-series', the release of this limited edition digitally re-mastered set is good news for the world of jazz.
Concord Music Group will release five new titles in its Original Jazz Classics Remasters series on September 17, 2013. Enhanced by 24-bit remastering by Joe Tarantino, bonus tracks (some previously unreleased), and new liner notes to provide historical context to the originally released material, the series celebrates the 40th anniversary of Pablo Records, the prolific Beverly Hills-based label that showcased some of the most influential jazz artists and recordings of the 1970s and '80s.
I grew up in Newark, New Jersey where such great artists as James Moody, Sarah Vaughan, Walter Davis Jr., Hank Mobley were my neighbors and Wayne Shorter was my dear friend. Wayne and I went to grammar school and Arts High School together. I was very influenced by Wayne in every way and knew at young age that he was a genius. But I could not tolerate the cold winters, so I decided to move to Los Angeles. It was 1960. In 1961, I received a call from Jules Chaikin, a young contractor that I worked for, who knew my playing and asked if I wanted to go on the road with Stan Kenton. I was overwhelmed since this was one of the bands I dreamed of playing with. Nine months later we ended the tour at Capitol Records. I recorded three albums with the band, including “Adventures in Jazz” which won a Grammy for Stan and “Adventures in Blues” which Stan said was my album since it featured the bass walking predominantly through the whole album.