Coney Island

In October 1990, Lou Reed interviewed Vaclav Havel, playwright, poet, president of the newly emancipated Czechoslovakia, and – surprisingly? – a Velvet Underground fan. During the course of their conversation, Havel handed Reed a book. "These are your lyrics, hand-printed and translated into Czechoslovakian. There were only 200 of them. They were very dangerous to have. People went to jail." Nobody will go to jail for owning Between Thought and Expression, but Reed's lyrics remain dangerous – not, as in Communist Czechoslovakia, for what they are, but for what they say…

UK-only five CD set containing a quintet of albums from the Rock great packaged in miniature LP sleeves and housed in an attractive slipcase. Features the albums Lou Reed (1972), Transformer (1972), Berlin (1973), Sally Can't Dance (1974) and Coney Island Baby (1976).

Chrysalis Records are proud to release Fun Lovin’ Criminals’ 5-disc box set entitled 1996-2001 containing the first 4 albums and the long out-of-print Love Ya Back longform DVD which features all of their promo videos, the movie Maui Homicide 2000 and additional bonus features. Housed in a newly designed clam-shell box set, this ultimate collection includes the worldwide hits, Scooby Snacks (celebrated for sampling Quentin Tarantino films), Korean Bodega, Loco and their unique covers of I’m Not In Love and Summer Wind.

Lou Reed - Waltzing Matilda (Love Has Gone Away) (1978) {2CD Set Easy Action EARS099 rel 2006}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 755 Mb | MP3 @320 -> 257 Mb | Artwork | 5% repair rar
© 1978, 2006 Sister Ray / Easy Action | EARS099
Rock / Psychedelic Rock / Rock & Roll / Alternative / Experimental Rock

Third in the series of Lou Reed live Concert albums these two shows taken from the 1978 Street Hassle Tour. Includes classic tracks Walk On The Wild Side & Satellite of Love from the iconic Transformer album as well as Velvet Underground tracks Sweet Jane & Rock N Roll and introducing the just shy of 13 minute brutal Street Hassle.

By the time Aerosmith's sixth studio release was issued, 1979's Night in the Ruts, guitarist Joe Perry had finally left the band after years of drug-fueled bickering with singer Steven Tyler (forming the Joe Perry Project by year's end). Most of the tracks were completed before Perry's departure, with replacement Jimmy Crespo filling the few empty spaces. And while the band looks back upon this period as hazy and frustrating, Night in the Ruts is a surprisingly coherent and inspired album. Although it's not up to par with such classics as Toys in the Attic or Rocks (although it could have been if the band weren't in such a state of turmoil at the time), it was definitely leaner and more focused than their last studio release, Draw the Line.

Darren Aronofsky's second film Requiem for a Dream features a score from his Pi collaborator, former Pop Will Eat Itself vocalist/guitarist Clint Mansell. This time, Mansell blends his usual electronic/industrial leanings with brooding, evocative performances from the Kronos Quartet. As with Pi, Mansell's compositions play a large part in Requiem for a Dream, which is an adaptation of Hubert Selby's 1978 novel about the harrowing lives of four drug addicts. Impressively, Mansell's score manages to be appropriately dark and disturbing, as well as compulsively listenable.