To start their series of the complete orchestral music of Bach, in this 250th anniversary year, Naxos kicks off with a superb set of concertos for oboe and oboe d'amore. These are lost scores but are believed to have been used by Bach for other instruments, including the well-known harpsichord concertos. Whatever their provenance, Christian Hommell and the Cologne Chamber Orchestra under Helmut Mueller-Bruehl play them with great style and virtuosity. A delightfully different disc that is most entertaining.
Itzhak Perlman was born in Israel in 1945 and moved to the USA in 1958, where he trained at the Juilliard School in New York. His success in winning the prestigious Leventritt Competition in 1964 launched his international career through which he has become known as one of the world's leading musicians.
Itzhak Perlman has appeared with every major orchestra and in recitals and festivals throughout the world. In November 1987 he joined the Israel Philharmonic for history-making concerts in Warsaw and Budapest, representing the first performances by this orchestra and soloist in Eastern block countries. He again made history as he joined the Israel Philharmonic for its first visit to the Soviet Union in April 1990 with concerts in Moscow and Leningrad. In recent years Perlman has continued to perform with leading orchestras in addition to touring major cities throughout the world with his accompanists Bruno Canino and Samuel Sanders. In 1996 Perlman's engagements included concerto and recital appearances throughout Europe, Asia and North America, including appearances with many of the world's foremost orchestras and composers.
…In short: the so-called "English Bach" is portrayed here in a very fascinating way; you only really regrets having so few comparisons to the reading of historical conductors.
Carl Philipp Emanuel Bach was widely known for his passionate, incomparable improvisations on the clavichord, most characteristically in the form of free fantasia. His compositions were unique in style, full of contrasts, and universally admired by several generations; the Vienna Classicists, even Beethoven and Schubert, considered him their musical father.
The Hungarian trumpeter, Gábor Boldoczki (…) received the coveted Prix Davidoff of the Reemtsma-Foundation for his "technical perfection and fully-developed artistic virtuosity", followed by the highly esteemed Prix Young Artist of the Year in 2002. After previously being awarded the Echo Klassik as Best Newcomer in October 2003, Gábor Boldoczki was again honoured by the German Phono Academy in 2008 as Instrumentalist of the Year.