Copperhead Copperhead {acadia+sony Aca 8005} (1973)

With Billion Dollar Babies, Alice Cooper refined the raw grit of their earlier work in favor of a slightly more polished sound (courtesy of super-producer Bob Ezrin), resulting in a mega-hit album that reached the top of the U.S. album charts. Song for song, Billion Dollar Babies is probably the original Alice Cooper group's finest and strongest. Such tracks as "Hello Hooray," the lethal stomp of the title track, the defiant "Elected" (a rewrite of an earlier song, "Reflected"), and the poison-laced pop candy of "No More Mr. Nice Guy" remain among Cooper's greatest achievements. Also included are a pair of perennial concert standards – the disturbing necrophilia ditty "I Love the Dead" and the chilling macabre of "Sick Things" – as well as such strong, lesser-known selections as "Raped and Freezin'," "Unfinished Sweet," and perhaps Cooper's most overlooked gem, "Generation Landslide."

Grateful Dead guitarist/vocalist Jerry Garcia and keyboardist Merl Saunders performed live at the Keystone in Berkeley, CA together on July 10th and 11th, 1973. Although components of this memorable show have been previously released, this is the very first time that the concert has become available in its entirety. This 4 disc box set assembles the full set list, all remastered, and in the order in which the songs were performed. The repertoire spans blues, rockabilly, jazz, funk, Broadway, Motown, two Bob Dylan songs, and Jimmy Cliff's immortal The Harder They Come.
The recordings that made up the original Live at Keystone albums by Jerry Garcia, Merl Saunders, John Kahn, and Bill Vitt took place over two nights in July of 1973…

Recorded live in December 1972 and released the following year, Space Ritual is an excellent document featuring Hawkwind's classic lineup, adding depth and weight to the already irrefutable proof that the group's status as space rock pioneers was well warranted. As the quintessential "people's band," Hawkwind carried '60s countercultural idealism into the '70s, gigging wherever there was an audience. The band's multimedia performances were a perfect accompaniment for inner space exploration and outer space imagination. Though not concerned with rock's material trappings, Hawkwind was among the hardest-working groups in Britain, averaging a show every three days during the year preceding the recordings…