Corrections And Juvenile Delinquency: Dismantling The School to Prison Pipeline And The Decriminalization of Minority Youth

Great chorus, weak soloists: thank heaven Handel's oratorio Israel in Egypt, like his oratorio Messiah, is more a work for chorus with orchestra and vocal soloists than, like most of his other oratorios, a work for vocal soloists with orchestra and chorus. From a choral point of view, this 2006 recording by the Chamber Orchestra of Europe is indeed superlative. The international chorus sings with surprising unanimity, amazing cohesion, and impressive diction.

Lilting melodies and exhilarating dance rhythms; gentle pathos, brooding drama and robust high spirits; the spirit of rural Bohemia and the sophistication of Prague, Vienna, New York and London in the late 19th century: Antonin Dvořák’s music is unfailingly distinctive and captivating. In all his works – from the epic ‘New World’ Symphony and Cello Concerto to the irresistible Slavonic Dances, haunting ‘American’ String Quartet, quirky violin Humoresque and yearning Song to the Moon – he is a composer whose heart is open and generous, and whose love for his homeland always shines through. This box provides an illuminating and enriching survey of his works, including his complete symphonies. A number of the celebrated performers have Slavonic roots themselves; all their interpretations draw on a deep affinity with Dvořák’s inspiration and humanity.