Cosmopolitan Mexico From 1 15 Agosto 2016

Juliette - Intégrale des Albums en 13 CD + 1 CD Raretés (2016) {14CD Box Set, Polydor 600753719619}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 4.30 Gb | MP3 @320 -> 1.85 Gb
Full Artwork @ 600 dpi (jpg) -> 107 Mb | 5% repair rar
© 2016 Polydor | 600753719619
Pop / Chanson / French / Western European Traditions

All Juliette's discography reunited for the first time. 9 studio albums, 4 live albums, 1CD of rarities and duets with a 24 pages booklet. In a musical landscape where nymphets cut on a standard model are legion, Juliette is a troublemaker. His buxom personality and banter repertoire finally won in a short skirt competition. But, it takes more to impress Juliette whose energy in the studio and on stage is worthy of its inspiring and inspiring, Fréhel, Piaf, Brel, Brassens. Juliette's universe is on!

Australia is not the first place you think of as a crate-digger's paradise. But these 20 slices from the country's early-Seventies season in commercial R&B and pop-jazz fusion are a lively lesson in the ingenious adaption of imported trends over an extreme distance. This is overwhelmingly white funk: "Back on the Street Again," an Etta James cover by Billy Thorpe and the Aztecs, and the ID's "Feel Awlright" are examples of hot shots from Australia's Sixties-beat and heavy-rock scenes finding their dance-floor feet; a track by the progressive-rock band Tamam Shud comes from the soundtrack to a 1971 surfing documentary. But it is all robust fun with intriguing sampling prospects.

Sir Colin Davis was instrumental in the development and success of LSO Live, including the label’s first Grammy award. He also played a huge part in the pre-eminence of the LSO across the globe for more than 50 years. A ‘master Sibelian’ his landmark cycle of the complete symphonies on LSO Live has been described as possibly "the finest Sibelius cycle on disc" by The Observer.

Bill Evans - Some Other Time: The Lost Session From the Black Forest (2016) {2CD Resonance Records HCD-2019 rec 1968}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 460 Mb | MP3 @320 -> 217 Mb
Full Artwork @ 600 dpi (jpg) -> 213 Mb | 5% repair rar
© 1968, 2016 Resonance Records / MPS | HCD-2019
Jazz / Post Bop / Modal Music / PIano Trio

Some Other Time: The Lost Session From the Black Forest is a newly unearthed studio session from the iconic pianist Bill Evans featuring bassist Eddie Gomez and drummer Jack DeJohnette. Recorded on June 20, 1968, nearly 10 years after the legendary Kind of Blue sessions with Miles Davis and a mere five days after the trio's incredible Grammy award-winning performance at the Montreux Jazz Festival, this is truly a landmark discovery for jazz listeners worldwide. Available in deluxe 2-CD and limited edition 2-LP sets, and containing over 90 minutes of music, this is the only studio album in existence of the Bill Evans trio with Gomez and DeJohnette. Some Other Time was recorded by the legendary MPS Records founder and producer Hans Georg Brunner-Schwer along with writer/producer Joachim-Ernst Berendt at the MPS studios in the Black Forest (Villingen, Germany).

Unknown Italian sacred and instrumental music of the 18th century from Naples: The Abchordis Ensemble interprets the Lectio VIII Defunctorum (for soprano, two violins and basso continuo) by Gennaro Manna (1715-1779), and the symphony by Aniello Santangelo (18th century) in F (for two violins, viola and basso continuo) and the Stabat Mater (for four voices, with violins, violetta and basso continuo) by Giacomo Sellitto (1701-1763). An equally melodious and virtuoso music, sometimes attractively chromatically charged. Musical examples of the incredible cultural diversity in Naples in the 18th century. The Abchordis Ensemble was founded in 2011 by ten musicians of various nationalities, with the aim of rediscovering and bringing to light today unpublished or under-performed music. The vocal and instrumental ensemble dedicated themselves above all to church music in 17th and 18th century Italy.

Séga is the traditional music of Mauritius (a small island off the coast of Madagascar) and is known as the “blues” of the Indian Ocean. The music was born during the 17th to 19th centuries by African slaves seeking relief from harsh conditions in sugar cane fields and on colonial land by dancing to improvised music incorporating rhythms from their homelands in West Africa, Mozambique, Zanzibar or Madagascar. From these diverse African influences sprang a new, insular dance and music, the séga.

Five classic Paul Carrack albums in mini LP style wallets housed in a wrap-around slipcase. Great Music - Great Value. Includes the albums Blue Views, Beautiful World, Satisfy My Soul, Still Groovin & It Ain't Over. Paul Carrack, the hugely respected singer-songwriter who is the voice of many of the landmark British pop songs of the past 40 years, released a stunning new album, Soul Shadows, on January 15, 2016. The record sees him at the absolute peak of his powers as a vocalist, songwriter and multi-instrumentalist. Paul Carrack surely deserves the latter-day title of the hardest-working man in showbusiness. Soul Shadows came in the wake of Carrack's latest sojourn as featured vocalist and keyboard player in Eric Clapton's band for his UK and international tour, the result of their longtime friendship and mutual respect. The new album was the follow-up to 2013's warmly-received Rain Or Shine, which maintained Paul's recurring status as a staple of the BBC Radio 2 playlist.

Before they were Fleetwood Mac, they were John Mayall's Bluesbreakers. Never before heard live performances from 1967. In 1967, before there was a Fleetwood Mac, Peter Green, John McVie and Mick Fleetwood were John Mayall's Bluesbreakers. The four musicians were only together for three months, which makes it even more remarkable that a staunch fan from Holland was able to sneak a one channel reel to reel tape recorder into five London clubs and capture this exciting glimpse into music history. For almost fifty years these tapes have remained unheard until John recently got them and began restoring them with the technical assistance of Eric Corne of Forty Below Records. Corne adds "While the source recording was very rough and the final result is certainly not hi-fidelity, it does succeed in allowing us to hear how spectacular these performances are." Volume 2 showcases three John Mayall originals including the opening track, all-time blues classic "Tears In My Eyes"; "Chicago Line", complete with John McVie bass solo; and "Please Don't Tell", a great example of the power blues The Bluesbreakers were revered for. Thanks to dedicated fan Tom Huissen who took his one channel reel-to-reel tape recorder into various London clubs in 1967, these historical performances were captured for all time.