Count Basie And Hits Orcherstra

During an era when the Count Basie Orchestra was often being used as a mere prop behind other singers, this album was quite refreshing. With the exception of trombonist Richard Boone's two eccentric vocals, this is an instrumental date with arrangements provided by bandmembers past and present, and concise solos contributed by quite a few talented players.

This release gives one a definitive look at the Count Basie Orchestra during its final years. Trumpeter Pete Minger, trombonist Booty Wood and Eric Dixon on tenor and flute are the main soloists, but it is the classic Basie ensemble sound (which never seems to get dated or lose its charm and power) that carries the day. Whether it is "Wind Machine," "Splanky" or "In a Mellow Tone, " this is a highly enjoyable set.

This 1977 date joins two jazz giants with contrasting approaches: Gillespie's explosive bop trumpet virtuosity and Basie's laconic piano style. The bare-bones quartet format - with the sterling rhythm team of bassist Ray Brown and drummer Mickey Roker - does nothing to conceal the differences, but it sets up a comfortable middle ground that accommodates swing and bop nuances alike. Differences apart, the co-leaders share infectious warmth, a deep feeling for the blues, and an absolute compulsion to swing. Basie's understatement triggers some of Gillespie's most thoughtful playing of his later career, developing long, intricate solos that combine harmonic exploration and direct, speechlike inflections, often with the distinctive burr of a harmon mute…