Difficile de reconnaître un "pervers narcissique". Critique, manipulateur, menteur, séducteur, sa personnalité est multiple et complexe. Plus qu'un portrait-robot exhaustif, Jean-Charles Bouchoux trace ici une cartographie des mécanismes et des origines de la perversion. S'appuyant sur des exemples concrets et des témoignages, il livre les armes pour combattre au quotidien l'emprise de ces manipulateurs. Un message d'espoir pour les uns, un appel à la remise en question pour les autres.
Écrivain, psychanalyste, psychothérapeute et formateur en Institut dans la région d'Arles et de Montpellier, Jean-Charles BOUCHOUX donne de nombreuses conférences en France et en Belgique. …
In early 1973, Genesis allowed the taping of a couple of live shows for broadcast in America as part of the King Biscuit Flower Hour syndicated radio show – most of their current set, drawn from their albums up through 1972's Foxtrot, was represented. A few months later, Tony Stratton-Smith, the head of Charisma, to which the group was signed, approached them about allowing him to fill the extended gap between Foxtrot and their next album, Selling England by the Pound, by releasing a live album from this same taped performance. The bandmembers, who now say they were somewhat distracted at the time by their work on the new album, agreed to it.
Band on the Run is the third studio album by Paul McCartney and Wings, released in December 1973. It marked the fifth album by Paul McCartney since his departure from the Beatles in April 1970. Although sales were modest initially, its commercial performance was aided by two hit singles - "Jet" and "Band on the Run" - such that it became the top-selling studio album of 1974 in the United Kingdom and Australia, in addition to revitalising McCartney's critical standing. It remains McCartney's most successful album and the most celebrated of his post-Beatles works. In 2000, Q magazine placed it at number 75 in its list of the "100 Greatest British Albums Ever". In 2012, Band on the Run was voted 418th on Rolling Stone's revised list of "The 500 Greatest Albums of All Time".
Orion's Beethoven is an Argentinean psych/symphonic-prog band founded in 1969 that released two albums, Superangel in 1973 and Tercer Milenio in 1977. The group started with a lineup of 3 musicians: Adrian Bar (guitar), Jose Luis Gonzalez (drums), Roman Bar (bass & vocals). Jorge Liechtenstein replaced drummer Gonzalez in 1973 with the release of the first album. In 1981, the band's lineup expanded and they shortened their name to Orions. The music in the first album mixed psychedelic elements with symphonic prog and classical pieces. Their second album is a more rock oriented release.
Like the first album this too has a concept to it but apparently only on the opening side long suite this time. ELP's debut came to mind quite often especially with those powerful, upfront vintage keyboards. A strong Classical and Jazz flavour is mixed in with the Prog Rock.
This young three-piece was one of the Italian bands with the strongest classical influences. They were formed by guitarist Dellacasa, that had collaborated with I Giganti in their « Terra In Bocca », with the drummer Vitanza only 16 year old! A keyboards trio in the same style as ELP or Le Orme in Italy, their first album was « Passio secundum Mattheum », with Bach-inspired music and lyrics on the Gospel…