With signs of a resurgence of interest in big bands in the late 1950s, Maxwell Davis came up with the idea of producing a series of albums for Crown Records recorded in the finest stereophonic sound, in a tribute to such legendary bandleaders as Duke Ellington, Count Basie, Lionel Hampton, Woody Herman, Charlie Barnet and Stan Kenton, among others. For this purpose, he wrote all new arrangements and reimagined and conducted a number of tribute bands to perform the music with the signature spirit that made their original leaders famous. The personnel for each album consisted primarily of prominent members and soloists who performed with the original bands, with additional valuable contributions from some of the best jazz musicians working in the Hollywood and New York studios.
This CD is quite a bit different than most audiophile releases for it contains rare rather than famous recordings. 1959's The Fourth Herd (which features an all-star group of studio musicians and Woody Herman alumni along with his octet of the time) was only put out briefly by Jazzland while the music on 1962's The New World of Woody Herman was never available commercially before; both were originally cut for the SESAC Transcribed Library and were available only to selected radio stations on a subscription basis…
Woody Guthrie was born on July 14th, 1912 in Okemah, Oklahoma. Over the decades, his songs have run around the world like a fast train on a well oiled track. They've become the folk song standards of the nation, known and performed in many languages throughout the world. Woody Guthrie at 100! Live at the Kennedy Center, is the CD/ DVD centennial celebration of the birth of America's greatest folk singer, Woody Guthrie. John Mellencamp, Jackson Browne, Tom Morello, Donovan, Ani DiFranco, Rosanne Cash, Old Crow Medicine Show and others perform many of Guthrie's classics along with recently recorded lyrics from the Woody Guthrie Archives.
WOODY HERMAN The Complete Columbia Recordings Of Woody Herman And His Orchestra & Woodchoppers (Extremely rare & limited 2004 US 141-track Mosaic audiophile 7-CD box set, including many alternate and unissued takes, entirely comprehensive of Woody's fabulous output for Columbia. Housed in a beautifully presented textured outer black box with front pasted picture cover, complete with four credit/tracklisting picture booklets plus an informative 32-page LP sized booklet, featuring stunning black & white session photographs and extensive liner notes. Woody Herman’s bands had it all in the years documented here: hit vocal tunes, top-rated national radio show, star instrumental soloists, new instrumental sounds hailed by jazz critics and fans alike, adventurous arrangements, female singers with sex appeal and a level of musicianship marking them as among the best large ensembles in jazz history.
Reissue of this live archive release from the Folk music legend. In 2001, The Woody Guthrie Archives received two spools of wire recordings from a live Woody Guthrie performance held in Newark, New Jersey in 1949. With the help of many talented recording engineers, the Woody Guthrie Foundation transferred this rare live performance from a delicate wire recording to digital audio, and, with state-of-the-art technology, restored it to near-perfection.
The bulk of Shaw's great sessions were recorded for independent labels (Muse & Contemporary,) ensuring them widespread critical evaluation but little audience except with the hardcore faithful. Things seemed about to change in the late '70s when Miles Davis suggested to Columbia that they record Shaw's group. They actually took his suggestion and signed Shaw. He issued a string of remarkable but low-selling records, and Columbia cut him loose after four years and four albums. They compounded the crime by deleting the records shortly after Shaw departed. Mosaic has corrected that slight with another of their marvelously produced and comprehensively notated and packaged box sets. This three-disc collection covers Shaw's Columbia sessions. While it is sad that Shaw's stay at Columbia was not more personally beneficial, it was quite musically productive.