Creep Gashi

Sweet Creep includes the lyricism of prior release Dad Country with an added air of hopefulness. Recorded in Jim James' (of My Morning Jacket) makeshift hilltop studio in Montecito Heights, Sweet Creep reverberates with the feeling of sunny vistas. From album opener Are You Thirsty to the summer-crushy 'Humidifier', Sweet Creep is a freshly-signed lease on life. Jonny throws himself into the new album by stripping things down to the essentials. He gathered Nashville's Joshua Hedley and Dawes' Taylor and Griffin Goldsmith and recorded the whole album in three days. The fresh air, freedom from studio pressures, and strong cups of tea all mix into the music, with ATVs briefly heard in the background and two senior tortoises listening at Hedley's feet as he fiddles away.

Astro-Creep: 2000 – Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head (or simply Astro-Creep: 2000) is the fourth and final studio album by White Zombie, released on April 11, 1995 by Geffen Records. The album proved to be their most commercially successful recording, peaking at number six on the Billboard 200 with the aid of the popular hit singles "More Human than Human" and "Super-Charger Heaven". It was the band's only album to feature John Tempesta on drums.

Rob Zombie's 2016 front-to-back concert performance of WHITE ZOMBIE's 1995 album "Astro-Creep: 2000 – Songs Of Love, Destruction And Other Synthetic Delusions Of The Electric Head" will be released as a live album, "Astro-Creep: 2000 Live", on March 30 via Interscope/Geffen/A&M.

Through much of history the language of women has been told through men, but La Femme turns this narrative upside down. All of these composers share an unrelenting will to be artistic, often in opposition to the societies in which they found themselves. From the very earliest medieval verses by Kassia via the blind virtuoso Maria von Paradis’ famed Sicilienne and holocaust victim Ilse Weber’s moving Wiegla, to powerful modern statements by the likes of Niloufar Nourbakhsh and Flaka Goranci’s own contribution, The Speech of Love- this entire project is dedicated to all creative women in music.