On Culpeper's Orchard self-titled debut album they play a style of heavy psych-prog influenced by a mixture of the proto-prog sounds of the late 1960s and the West Coast folk-rock of the same time period. Gideon's Trap, for instance, sounds uncannily like a slightly harder-rockin' Procol Harum, whilst the brief piece Hey You People features vocal harmonies which put me in mind of a blend between the Moody Blues and Crosby, Stills & Nash. Bookended by the extended jams of Mountain Music, the album visits a range of styles over its running time, with occasional visits to folk and good old-fashioned rock and roll rooted in a psych-prog foundation. The group didn't make a whole lot of note after this, but in terms of artistic accomplishment they didn't really need to - this is a rare example of a "forgotten gem" which really is a gem.
The third and final disc on Polydor from Ten Wheel Drive before Annie Sutton would come in to take over for the irreplaceable Genya Ravan and they would move the organization to Capitol for one more go at it, this is the most sophisticated of the small but cherished output from the ever changing and evolving entity known as Ten Wheel Drive. The pity here is that they had really found their groove on Peculiar Friends.The band blends so nicely behind Ravan's unique and multi-purpose voice, changing genres while exploring the possibilities of a song like "I Had Him Down." They lift a few notes from Blood, Sweat & Tears' cover of the Laura Nyro composition, "And When I Die," but the song mutates before you can hold it down.
Sticky Fingers is the ninth British and eleventh American studio album by the English rock band the Rolling Stones, released 23 April 1971 on their new, and own, label Rolling Stones Records. Sticky Fingers is considered one of the Rolling Stones' best albums. It was the band's first album to reach number one on both the UK albums and US albums charts, and has since achieved triple platinum certification in the US. Songs such as "Brown Sugar," the country ballad "Dead Flowers," "Wild Horses," "Can't You Hear Me Knocking," and "Moonlight Mile" were chart-toppers. The album is inducted in the Grammy Hall of Fame and included in Rolling Stone magazine's 500 Greatest Albums of All Time list.
The Yes Album is the third studio album by the English progressive rock band Yes, released on 19 February 1971 by Atlantic Records. It is their first album with guitarist Steve Howe, who replaced Peter Banks in 1970, and their last in the 1970s to feature keyboardist Tony Kaye. The album was the first by the group not to feature any cover versions of songs. The band spent mid-1970 writing and rehearsing new material at a farmhouse at Romansleigh, Devon, and the new songs were recorded at Advision Studios in London in the autumn.
John D. Loudermilk's composition "Indian Reservation (Lament of the Cherokee Reservation Indian)," a Native American protest song, doesn't have much to do with The Raiders' earlier music or image. But a hit is a hit is a hit, and the song went to number one in the summer of 1971, briefly resurrecting what had been a nearly moribund recording career for The Raiders…
Hailed from Toronto, Canada and recorded this only album at Bearsville in Woodstock in 1971. The album was engineered and produced by Todd Rundgren. In some sense, they remind of famous major acts such as David Clayton Thomas and The Band. It is a nicely arranged blues rock, country rock with a bit of psychedelic mood.