D&s Vol. 42

Garolou was a pan-Eastern Canadian group with members from Ontario thru to the Maritimes. Its origins could be traced to Franco Ontarian brothers Marc and Michel Lalonde who were living in Prince Edward Island in 1974 and part of a theatre troupe. Their musical career began humbly as a folk duo, but their interests and their popularity resulted in expansion to a full rock ensemble including keyboards, bass and drums, performing revved up and re-interpreted folk songs with plenty of progressive flourishes, Canada's answer to Steeleye Span if you will…

Stanley Turrentine was just beginning to turn heads in jazz circles in the early '60s when he made an appearance at Minton's with guitarist Grant Green, pianist Horace Parlan, bassist George Tucker, and drummer Al Harewood. The group mixes hard bop with funk and soul jazz; Turrentine's tone, sound, and pacing are good, although he wasn't yet the master at ballads he would be later in his career. Standards and a couple of blues make up the repertoire, giving listeners a definitive look at the soulful Mr. T. near the beginning of his productive musical life.

With Harmonic Ascendant, released in 1979, Robert Schroeder has stamped electronic music (EM) with his own particular sound, a flowing synth with strident and melodious laments on a progressive minimalist rhythmic movement. At that time the musician from Aachen was building his own equipment, hence the singularity of his harmonies. This was followed by Floating Music, Mosaique and the sublime Galaxy Cygnus-A. A period strongly influenced by the Berlin School à la Klaus Schulze. And for some, it was his best phase. D.MO Vol.1, for demo, is a collection of unreleased tracks that retraces this era of the German synthesist who from 1978 to 1982 was experimenting with his new devices. And this is the spirit behind this compilation which is mainly addressed to the fans of this period…

With Harmonic Ascendant, released in 1979, Robert Schroeder has stamped electronic music (EM) with his own particular sound, a flowing synth with strident and melodious laments on a progressive minimalist rhythmic movement. At that time the musician from Aachen was building his own equipment, hence the singularity of his harmonies. This was followed by Floating Music, Mosaique and the sublime Galaxy Cygnus-A. A period strongly influenced by the Berlin School à la Klaus Schulze. And for some, it was his best phase. D.MO Vol.1, for demo, is a collection of unreleased tracks that retraces this era of the German synthesist who from 1978 to 1982 was experimenting with his new devices. And this is the spirit behind this compilation which is mainly addressed to the fans of this period…

With Harmonic Ascendant, released in 1979, Robert Schroeder has stamped electronic music (EM) with his own particular sound, a flowing synth with strident and melodious laments on a progressive minimalist rhythmic movement. At that time the musician from Aachen was building his own equipment, hence the singularity of his harmonies. This was followed by Floating Music, Mosaique and the sublime Galaxy Cygnus-A. A period strongly influenced by the Berlin School à la Klaus Schulze. And for some, it was his best phase. D.MO Vol.1, for demo, is a collection of unreleased tracks that retraces this era of the German synthesist who from 1978 to 1982 was experimenting with his new devices. And this is the spirit behind this compilation which is mainly addressed to the fans of this period…

The Collector's Edition - Celebrating a groundbreaking label - The true legacy of a legendary label. Long hailed as an audiophile's label, Mercury represents an important milestone in the history of classical recordings. A s The New York Times described, 'One feels oneself in the living presence of the orchestra'. 60 years after the landmark first recording, Mercury Living Presence: The Collector's Edition celebrates this special anniversary.