D&s Vol. 48

With Harmonic Ascendant, released in 1979, Robert Schroeder has stamped electronic music (EM) with his own particular sound, a flowing synth with strident and melodious laments on a progressive minimalist rhythmic movement. At that time the musician from Aachen was building his own equipment, hence the singularity of his harmonies. This was followed by Floating Music, Mosaique and the sublime Galaxy Cygnus-A. A period strongly influenced by the Berlin School à la Klaus Schulze. And for some, it was his best phase. D.MO Vol.1, for demo, is a collection of unreleased tracks that retraces this era of the German synthesist who from 1978 to 1982 was experimenting with his new devices. And this is the spirit behind this compilation which is mainly addressed to the fans of this period…

With Harmonic Ascendant, released in 1979, Robert Schroeder has stamped electronic music (EM) with his own particular sound, a flowing synth with strident and melodious laments on a progressive minimalist rhythmic movement. At that time the musician from Aachen was building his own equipment, hence the singularity of his harmonies. This was followed by Floating Music, Mosaique and the sublime Galaxy Cygnus-A. A period strongly influenced by the Berlin School à la Klaus Schulze. And for some, it was his best phase. D.MO Vol.1, for demo, is a collection of unreleased tracks that retraces this era of the German synthesist who from 1978 to 1982 was experimenting with his new devices. And this is the spirit behind this compilation which is mainly addressed to the fans of this period…

With Harmonic Ascendant, released in 1979, Robert Schroeder has stamped electronic music (EM) with his own particular sound, a flowing synth with strident and melodious laments on a progressive minimalist rhythmic movement. At that time the musician from Aachen was building his own equipment, hence the singularity of his harmonies. This was followed by Floating Music, Mosaique and the sublime Galaxy Cygnus-A. A period strongly influenced by the Berlin School à la Klaus Schulze. And for some, it was his best phase. D.MO Vol.1, for demo, is a collection of unreleased tracks that retraces this era of the German synthesist who from 1978 to 1982 was experimenting with his new devices. And this is the spirit behind this compilation which is mainly addressed to the fans of this period…

French artist MICHEL ZACHA was a colourful addition to the roster of French artists that was active in the 1970's, his output incorporating elements from a vast number of different stylistic expressions from both sides of the dividing line between mainstream rock and art rock. His creative highlight was the years 1972 - 1977, when he released the concept album trilogy Promesses d'Atlantides, consisting of La Nuit des Cigales (1972), Le Vol D'Icare (1974) and Inutile (1977). Little else is known about this composer and musician today.

The Collector's Edition - Celebrating a groundbreaking label - The true legacy of a legendary label. Long hailed as an audiophile's label, Mercury represents an important milestone in the history of classical recordings. A s The New York Times described, 'One feels oneself in the living presence of the orchestra'. 60 years after the landmark first recording, Mercury Living Presence: The Collector's Edition celebrates this special anniversary.

Musica Alta Ripa was founded in 1984. The recorder player Danya Segal, two violinists Anne Röhrig and Ursula Bundies, cellist Juris Teichmanis, and harpsichordist Bernward Lohr, all outstanding, sought-after musicians in their fields, joined forces to form an ensemble that owes its special aura to the commingling of their individual personalities.