Dar He: The Lynching of Emmett Till

Anna Lapwood is a trailblazing musician. Alongside her work as a conductor, Director of Music and public speaker, she performs an extensive number of organ recitals on some of the greatest instruments across Europe each season. In 2022 she was announced as Associate Artist of the Royal Albert Hall and Artist in Association at BBC Singers. Directed by Anna Lapwood, The Chapel Choir of Pembroke College has one of the most exciting and varied ranges of choral endeavours among Oxbridge choirs. Alongside their primary responsibility of contributing to worship in the College’s Chapel, they engage in regular artistic collaborations, media appearances and outreach work.

The legacy of the celebrity castrato Senesino has endured for centuries. He is known to us today primarily as Handel’s leading man for 13 seasons in London, and he was recognised the world over for his moving dramatic interpretations, fiery singing, and singular, over-the-top divo personality. Yet, Handel’s music for Senesino only shows us a fraction of the numerous virtuosic roles written for the castrato. Here, for the first time, are arias by seven overlooked composers who also wrote showpieces for the (in)famous Senesino. All but one of the arias on this album are modern-day premieres and heard together, they illuminate the talents of an 18th-century operatic icon.

Compact disc buyers who purchased Andreas Scholl's disc of Handel arias on Harmonia Mundi barely a month before HEROES was released may wonder why they might need the present recital, with its further helping of Handel. One listen will stop the wondering! The key is the non-Handel portion of the program. That Scholl is excellent in baroque music is well-established by his recordings for Harmonia Mundi. But with selections by Hasse, Gluck, and a young Mozart, he demonstrates his talent for later music as well.

The City of Tomorrow releases Blow, a collection of three works for wind quintet, anchored by the premiere of a multi-movement work written for them by Hannah Lash. Guided by their virtuosity and commitment to polished interpretation, the album is an exploration of finely crafted compositions that take advantage of the rich colors of the instrumentation in all of its permutations.

Handel arrived in Hamburg in 1703, aged eighteen. He spent four years in the city and wrote several works for the town's opera house. Hamburg opera was a rather eclectic beast at the time, drawing on Italian and French language and instrumental style alongside the native German. Handel fell happily into this genre; this CD brings together a selection of the delightful orchestral music (which tends to be in the French style) that Handel wrote there, some of it recorded for the first time.

The multi-national, Finland-based recording project did it again, a marvelous, superbly produced album of first class retro-natured symphonic prog composed and co- performed by excellent prog musicians from various countries including e.g. Argentine, Netherlands, Italy and Japan. 'Another Time' (written by Ronaldo Rodrigues and Steve Unruh who also sings) evolves dynamically from mellowness to energetic instrumental section and features Marek Arnold on saxophone. Oliviero Lacagnina composed a pompous symph prog instrumental 'Dear Amadeus' inspired by Mozart. One may think of 70's RPI bands such as Latte e Miele…