28-song set. Tour premiere of “Adam Raised a Cain”; “Candy’s Room,” “Racing In the Street” and “Downbound Train” return to the set. Four songs from 2020’s Letter To You: “Ghosts,” “Letter to You,” “Last Man Standing” and “I’ll See You In My Dreams.” “Last Man Standing” features a new arrangement. “I’ll See You In My Dreams” is performed solo acoustic to end the show. One song from 2022’s Only the Strong Survive: “Nightshift” (written by Franne Golde, Dennis Lambert and Walter Orange, popularized by The Commodores). Concert stalwarts like “Because The Night,” “Dancing in the Dark,” and “Tenth Avenue Freeze-Out” are performed in tighter, shorter versions. “Thunder Road” is the main-set closer.
27-song set. Tour premiere of “Seeds”; “Lucky Town” and “I’m On Fire” return to the set. Four songs from 2020’s Letter To You: “Ghosts,” “Letter to You,” “Last Man Standing” and “I’ll See You In My Dreams.” “Last Man Standing” features a new arrangement. “I’ll See You In My Dreams” is performed solo acoustic to end the show. One song from 2022’s Only the Strong Survive: “Nightshift” (written by Franne Golde, Dennis Lambert and Walter Orange, popularized by The Commodores). Concert stalwarts like “Because The Night,” “Dancing in the Dark,” and “Tenth Avenue Freeze-Out” are performed in tighter, shorter versions. “Thunder Road” is the main-set close.
From their earliest days as a band, the members of R.E.M. always had a Keen sense of how they wanted to be perceived visually, even when it sometimes seemed as if they didn’t want to be seen at all…
G.E.N.E. (Grooving Electronic Natural Environments) is a Canadian New Age instrumental band. The idea of this world-famous project was born in June 1987, during a conversation under the stars around a campfire and tents on the shore of the lake in the Canadian woods. That night, Cleo de Mallio took the first steps in a musical odyssey that is still not completed. The conversation was carried on the nature and technology, the world and machines, the new digital sound and lofty emotions. Father of the project and the producer is Michael Weisser - founding member of the German band Software, one of the disciples of the legendary Klaus Schulze, the founder of the company's IC/Digit music, on which he produced G.E.N.E. and Software. Michelle Weisser - it is not trivial producer who invested and believed in the idea…
Michael E Frith had piano lessons as a young child but was really turned on to music in big way when Motown hit him like a ton of bricks in the early sixties, he was smitten and from that time on he’s had a love affair with music. He joined various cover bands and toured the Euro/American Navy and Air force bases playing keyboards and percussion and enjoyed a short stint with U.S. vocal group Johnny Johnson and the Bandwagon, who had a massive hit worldwide with "Breaking Down The Walls Of Heartache"…
J.E.T.’s name is not only known to progressive Italian rock fans, but also to a wider audience, given that from their ashes, already in the mid-’70s, the soon-to-be-famous Matia Bazar were born: this new incarnation was able to rework J.E.T.’s last phase most ‘commercial’ hints, leading to a long successful career that still goes on today. Contrarily to what these words might suggest, J.E.T.’s only LP, originally published in 1972, is so far from the term ‘commercial’ as close to the Italian prog of the golden age: four long and complex tracks – plus the short ending “Sfogo” – with religion-themed lyrics, strong hard rock influences, a solid rhythmic section, keyboards always in evidence and beautiful vocal harmonies, sometimes reminiscent of the typical New Trolls’ falsetto.
Following their highly acclaimed studio album "Into The Great Unknown", H.E.A.T. went on an extensive tour to showcase their incredible live performance skills…