Davide Pepe Che Cosa C'è

Davide Amodio, Gli Strali di Cupido - Alberti: Sonate per violino e basso continuo (2000)

Davide Amodio, Gli Strali di Cupido - Alberti: Sonate per violino e basso continuo (2000)
EAC | FLAC | Image (Cue & Log) ~ 503 Mb | Total time: 48:22+43:24 | Scans included
Classical | Label: Bongiovanni | GB 5604/5-2 | Recorded: 1999

Quando ancora l'attività compositiva solitamente portava con sé precisi caratteri stilistici tipici della cultura cittadina in cui i compositori - quanto meno - operavano, l'eccellente violinista Giuseppe Matteo Alberti (1685-1751) guardò oltre la siepe e oggi gli è riconosciuto il merito di avere per primo adottato alcuni stilemi del linguaggio vivaldiano al di fuori dell'ambiente veneziano. I dati anagrafici di Alberti sono sovrapponibili, come si vede, a quelli di J.S. Bach, ma a lui non arrise la grandezza creativa e la fortuna (tarda) del Cantor: Bologna, S. Petronio, l'Accademia Filarmonica della sua città - di cui per qualche anno fu "Principe" - le sale del conte Orazio Bargellini per il quale curò l'attività musicale, furono lo scenario che egli calcò da protagonista, in una tranquilla gestione della vita musicale bolognese dalla quale trasse qualche gratificazione, qualche onore, ma pochi quattrini, se è vero che morì rispettato ma povero, anzi "miserabile", secondo Giacomo A. Perti.
Pepe & Celedonio Romero; ASMF, Sir Neville Marriner - Mauro Giuliani: Complete Guitar Concertos (1996) 2CDs

Mauro Giuliani: Complete Guitar Concertos (1996) 2CDs
Pepe Romero & Celedonio Romero, guitars
Academy of St. Martin in the Fields; Sir Neville Marriner, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 685 Mb | Mp3 (CBR320) ~ 360 Mb | Scans ~ 56 Mb
Classical, Classical Guitar | Label: Philips | # 454 262-2 | Time: 02:37:27

An acclaimed Italian guitar virtuoso and composer, Mauro Giuliani, along with Fernando Sor, was one of the last great classical proponents of his instrument until its revival in the early twentieth century. He studied counterpoint and the cello, but on the six-string guitar he was entirely self-taught, and that became his principal instrument early on. Italy abounded with fine guitarists at the beginning of the nineteenth century (Carulli remains the most familiar today), but few of them could make a living because of the public's preoccupation with opera. So Giuliani embarked on a successful tour of Europe when he was 19, and in 1806 he settled in Vienna, where he entered the musical circle of Diabelli, Moscheles, and Hummel. He solidified his reputation with the 1808 premiere of his Guitar Concerto in A major, Op. 30, and was soon heralded as the greatest living guitar virtuoso. Even Beethoven noticed Giuliani, and wrote of his admiration for him. Perhaps to return the favor, Giuliani played cello in the 1813 premiere of Beethoven's Symphony No. 7.
Davide Bandieri, Matteo Fossi, Quartetto Savinio - Weber: Complete Chamber Music for Clarinet (2022)

Davide Bandieri, Matteo Fossi & Quartetto Savinio - Weber: Complete Chamber Music for Clarinet (2022)
WEB FLAC (tracks) - 273 Mb | MP3 CBR 320 kbps - 147 Mb | Digital booklet | 01:04:00
Classical | Label: Brilliant Classics

Carl Maria von Weber had a special fondness for the clarinet, finding it the ideal instrument for expressing the profound Romanticism he had made his own.
I Solisti Ambrosiani, Tullia Pedersoli & Davide Belosio - Vivaldi: Concertos & Soprano Arias (2021)

I Solisti Ambrosiani, Tullia Pedersoli & Davide Belosio - Vivaldi: Concertos & Soprano Arias (2021)
WEB FLAC (tracks) - 402 Mb | MP3 CBR 320 kbps - 205 Mb | Digital booklet | 01:15:14
Classical | Label: Urania Records

A versatile collection of Concertos and Arias by Vivialdi, from I Solisti Ambrosiani. The Solisti Ambrosiani are an Italian ensemble specialising in early music and in the philological performance on original instrumentation, founded in 2008 by the soprano Tullia Pedersoli and the violinist Davide Belosio.
Davide Pozzi - Friedrich Wilhelm Rust: Keyboard Sonatas (2022)

Davide Pozzi - Friedrich Wilhelm Rust: Keyboard Sonatas (2022)
WEB FLAC (tracks) - 448 Mb | MP3 CBR 320 kbps - 169 Mb | Digital booklet | 01:08:30
Classical | Label: MV Cremona

Friedrich Wilhelm Rust composed until 1796, the year of his death, but his works remained unedited until the rediscovery and printing of a portion of them curated by his grandson. A complete analysis of Friedrich Wilhelm Rust’s works turns out to be a complex endeavor even today, as only a small part of his work has been researched and performed. Nevertheless, his keyboard works are slowly making their way into the concertizing repertoire and it is here that Friedrich Wilhelm Rust undoubtedly distinguishes himself with an innovative and wholly personal style.

Marco Ruggeri - Padre Davide da Bergamo: Organ Music (2014)  Music

Posted by ArlegZ at March 4, 2020
Marco Ruggeri - Padre Davide da Bergamo: Organ Music (2014)

Marco Ruggeri - Padre Davide da Bergamo: Organ Music (2014)
XLD | FLAC | Image (Cue & Log) ~ 745 Mb | Total time: 67:25+67:44 | Scans included
Classical | Label: Brilliant Classics | 94964 | Recorded: 2013

Padre Davide da Bergamo was one of Italy’s most famous and prolific organists and organ composers (besides being a monk). His lifespan, 1791- 1863, encompassed the Romantic Era, in which organ music detached itself from purely liturgical use. He introduced the symphonic form in his organ works, especially in his “Sinfonias”, which are substantial structures in classical/romantic style and form. This recording features the first recording of his “6 Sonatas & Sinfonias”. Organist Marco Ruggeri chose two organs from Da Bergamo’s time, magnificent instruments which do full justice to the colours and virtuosity of Da Bergamo’s works. Booklet contains liner notes, biography and information on the instruments.
Davide Rebuffa - Brescianello: Partite e Sinfonie per gallichone solo (2023)

Davide Rebuffa - Brescianello: Partite e Sinfonie per gallichone solo (2023)
WEB FLAC (tracks) - 353 Mb | MP3 CBR 320 kbps - 187 Mb | Digital booklet | 01:19:06
Classical | Label: Tactus

Among the entertainments with which the Bavarian nobles of the 18th century occupied their monotonous and idle daily life, in addition to gambling, tobacco smoking and reading, the mandora and calichon are often mentioned. The latter were lutes, with only 6- (or even 5-) courses of strings, which – being much less demanding than the contemporary German 13-course lute – became among the favourite instruments of the German, Austrian and Bohemian aristocracy, including women, who were generally excluded from professional instrumental music. The larger 8-course calichon, due to its versatility was widely used as a continuo-playing instrument in chamber ensembles and orchestras, especially in monasteries and among the clergy.
Pepe Romero - Carulli, Molino: Guitar Concertos, Mozart: Adagio KV 261, Rondo KV 373 (1990)

Pepe Romero - Carulli, Molino: Guitar Concertos, Mozart: Adagio KV 261, Rondo KV 373 (1990)
EAC | FLAC (image+.cue, log) | Covers Included | 01:10:08 | 288 MB
Genre: Classical | Label: Philips | Catalog: 426263

In the early nineteenth century, when the virtuoso guitar concerto was born, Italy and Spain produced their share of outstanding musicians who were, like British inventions, more likely to prosper outside their homeland: Sor and Aguado left Spain, Carulli and Molino departed from Italy; all four converged on Paris where, no doubt with much exaggeration, the rivalry of the supporters of the last two was depicted in a cartoon. Molino has derived negligible posthumous benefit from recording or concert performance, nor has Carulli done much better, the spotlight resting doggedly on some of their contemporaries.

Pepe Romero - ¡Flamenco Fenomeno! (1960/2024)  Music

Posted by Fizzpop at Jan. 19, 2024
Pepe Romero - ¡Flamenco Fenomeno! (1960/2024)

Pepe Romero - ¡Flamenco Fenomeno! (1960/2024)
WEB FLAC (Tracks) 245 MB | Cover | 44:48 | MP3 CBR 320 kbps | 106 MB
Flamenco, Latin | Label: Decca Music Group Ltd.

Pepe Romero has played the guitar for as long as he can remember, debuting at the age of seven. His father was the legendary guitarist Celedonio Romero and was his only teacher. Along with his father and brothers Celin and Angel, Romero formed the Romeros Quartet, and riding on the heels of Celedonio's celebrity in Spain, embarked on an international career that made them the most famous guitar ensemble in the world.
Pepe Romero, Academy Chamber Ensemble - Boccherini: Guitar Quintets Nos. 4 "Fandango", 5 & 6 (1988)

Pepe Romero, Academy Chamber Ensemble - Boccherini: Guitar Quintets Nos. 4 "Fandango", 5 & 6 (1988)
EAC | FLAC | Image (Cue & Log) ~ 231 Mb | Total time: 53:41 | Scans included
Classical | Label: Philips | # 420 385-2 | Recorded: 1978, 1979

Boccherini's style is completely characteristic of the period in which he lived, the period, that is, of Haydn rather than that of Mozart or Beethoven. He enjoyed a reputation for his facility as a composer, leaving some 467 compositions. A great deal of his music is designed to exploit the technical resources of the cello, in concertos, sonatas, and, particularly, in chamber music for various numbers of instruments, including a remarkable series of quintets with two cellos. The twelve quintets for guitar and string quartet, of which eight have survived, are arrangements by the composer of works written for pianoforte quintet in the late 1790s. The set of six quintets were dedicated to the Marquès de Bénavent, an enthusiastic amateur guitarist.