"This is Ryan" continues to confirm that trumpeter Ryan Kisor is more than a "young lion, a label he received after winning the Thelonious Monk Competition back in 1990. At the still young age of 32, he is continuing in the tradition of the modal-minded trumpet players who preceded him, sounding like he comes from the direct lineage of the great Woody Shaw. His excellent trumpet technique, especially clear in the upper register, makes possible seamless solo lines. "This is Ryan" features compositions by three major trumpet players from the '50s-60s: Kenny Dorham's "Una Mas, Don Cherry's "Art Deco and Dizzy Gillespie's "Con Alma". The CD also includes four solid Kisor originals: "Waiting for Brown, a hard driving modal tune; "Maiden Lane, a smooth flowing ballad; "Dirty Ernie, a hard swinger; and "Solitaire," a swinging waltz…
With its majestic themes soaring upwards like gothic pillars and its brilliant chorales and fanfares glowing like stained – glass windows, Anton Bruckner’s Symphony No. 8 is the most monumental of his orchestral works, a cathedral in sound that grows out of pianissimo murmurs. Coming after the triumphs celebrated by the composer’s Seventh Symphony and Te Deum, the Eight was considered by Bruckner as the artistic climax of his career. Cleveland‘s Severance Hall is the venue for this performance. This hall, an eclectic yet elegant mix of Art Deco, Art Nouveau, Classicism, Egyptian Revival and Modernism was inaugurated in 1931 and is still hailed today as one of the world‘s most beautiful concert halls. The Cleveland Orchestra, founded in 1918, began its ascent to the upper ranks of the world‘s ensembles after it moved to Severance Hall in 1931.
Elizabeth Woolridge Grant (born June 21, 1985), known professionally as Lana Del Rey, is an American singer and songwriter. Her music has been noted by critics for its stylized cinematic quality, its preoccupation with themes of tragic romance, glamour, and melancholia, and its references to pop culture, particularly 1950s and 1960s Americana…
The Meistersaal Sessions are a 6-part series of chamber music theme concerts with the Freigeist Ensemble at the legendary Meistersaal Berlin, conducted by Joolz Gale. The series starts with arrangements of Schönberg, Strauss and Mahler. In collaboration with British photographer Gavin Evans, these club-concert sessions come live from the legendary Meistersaal Berlin, known historically as the “big hall by the Berlin Wall”. Its art-deco building is the current home of Emil Berliner Studios (audio partner for this project) and steeped in many decades of musical history.
“This time, I am not only an absolute musician, but also a poet”, wrote Dvořák regarding the Poetic Tone Pictures, Op. 85, his most extended cycle of lyric character pieces for piano. Concluded in April/ May 1889 at his summer residence in Vysoka, the Poetic Tone Pictures introduced a new tendency in Dvořák’s output: from then on, he started to “poeticize” his musical style. As he wrote to his publisher Fritz Simrock: “Each piece will have its own title and is meant to express something: thus, as it were, this is program music!” This new tendency culminated in 1896-1898 with the five symphonic poems The Water Goblin Op. 107, The Noon Witch Op. 108, The Golden Spinning Wheel Op. 109, The Wild Dove Op. 110, and A Hero’s Song Op. 111.
The Meistersaal Sessions are a 6-part series of chamber music theme concerts with the Freigeist Ensemble at the legendary Meistersaal Berlin, conducted by Joolz Gale. The series starts with arrangements of Schönberg, Strauss and Mahler. In collaboration with British photographer Gavin Evans, these club-concert sessions come live from the legendary Meistersaal Berlin, known historically as the “big hall by the Berlin Wall”. Its art-deco building is the current home of Emil Berliner Studios (audio partner for this project) and steeped in many decades of musical history.