Dkyf 69

German rockers Pink Cream 69 caught the tail-end of the '80s party-metal boom before adopting a more traditional European hard rock/power metal approach that they would cultivate into the next century. Founded in 1987 by vocalist Andi Deris, guitarist Alfred Koffler, drummer Kosta Zafiriou, and bassist Dennis Ward, the band released their eponymous debut long-player in 1989 via Epic. Deris left the group in 1994 to join Helloween, and was replaced by British vocalist David Readman, who made his first appearance on the group's fourth LP, Change. The band became a five-piece in 2003 with the arrival of second guitarist Uwe Reitenauer, who was hired to help out Alfred Koffler, who was struggling with Focal Dystonia, a neurological condition that made playing difficult - Reitenauer made his debut on 2007's In10sity…

Mai 1969. Président de la République, Pierre Mendès France est assassiné lors d'un discours au stade Charléty à Paris. Le ministre Gaston Defferre charge les gardes du corps du défunt de mener l'enquête. …

Keigo Oyamada (小山田 圭吾, Oyamada Keigo, born January 27, 1969), also known by his moniker Cornelius (CORNELIUS（コーネリアス）, Kōneriasu), is a Japanese musician and producer who co-founded Flipper's Guitar, an influential Shibuya-kei band, and subsequently embarked on a solo career…

Trumpeter, bandleader, composer, and one of the most important figures in jazz music history, and music history in general. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Winner of eight Grammy awards…

A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear.