First time reissue of this forgotten album of Don Cherry. This album was recorded in 1978 in Paris and released only in France in 1981. That was the first meeting between Don Cherry and Indian percussionist Latif Khan and the result is an incredible mixture of jazz and Indian music. This unsung album is only known by hardcore fans of Don cherry who considered it as one of his best effort.
This set works very well. Dave Grusin and his younger brother Don Grusin use a variety of keyboards to create a series of colorful duets. Other than Dori Caymmi's "Southern Wind," all of the fairly spontaneous yet well-planned performances are originals by one or both of the brothers. Even listeners who are not that much into electronics will find much of interest on this melodic and funky, yet often unpredictable set.
On his second release since returning to solo soul stardom, Bryant capitalizes off the success of his 2017 release Don’t Give Up on Love. On his newest album You Make Me Feel, he’s also reaching back into his own catalog, with a fresh take on songs he wrote long ago.
1931-1933 (1990). The first of three Don Redman Classics CDs consists of his orchestra's earliest sessions. Although Redman's big band never hit it as big as his former employers' (Fletcher Henderson and McKinney's Cotton Pickers), it was an impressive outfit, thanks to the leader's advanced arrangements. Among the key sidemen on these performances are trumpeters Red Allen (who is on the first two sessions) and Sidney DeParis, tenor saxophonist Robert Carroll, and pianist Horace Henderson. Highlights include "Chant of the Weed" (Redman's atmospheric theme song), "I Heard," "How'm I Doin'," and "Hot and Anxious." The main Don Redman CD to get…
Few blockbusters can claim to be as influential as The Matrix (1999), written and directed by the Wachowskis. From its super high-concept that has wormed its way into the public’s imagination (what if we’re all just living in a computer simulation?), to Keanu Reeves’ iconic hero Neo, to the brilliant, jaw-dropping and story-based visual effects, The Matrix delivered on all fronts. Its three films grossed over $1.6 billion worldwide, and a fourth is on the way.
Don Henley doesn't move fast because he can afford not to hurry. He can spend the better part of a decade waiting out a record contract, labor on a 90-minute Eagles reunion for maybe half a decade, then take another eight years before returning with Cass County, his first solo album in 15 years and only fifth overall. That's the mark of a man who takes his time, but all that chronology pales compared to the true journey Cass County represents: a return to Henley's country roots, whether they lie in the blissed-out, mellow sunshine of Southern California or the Texas home that provides this record with its name.
Don Ellis was such a talented trumpeter, composer, and organizer that everything he recorded as a leader has at least some unusual moments worth exploring. His big bands were characterized by big brassy arrangements, odd meters that somehow always swung, lots of trumpet solos by Ellis, and an often visceral excitement. Although not equal to his best records such as Electric Bath, this late recording of Ellis' band is filled with all these traits, and thus exudes lots of excitement and electricity. At this stage in his career, the trumpeter seemed to be searching for a breakthrough, perhaps on a popular level. This manifests itself with occasional Age of Aquarius vocals and spacy harmonies that appeal to a broad audience…