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Showcase is a test/reference sampler for people interested in music and serious High Fidelity and who wants to test or enjoy good HiFi equipment with a carefully made selection of acoustic music, World, Folk, Blues, Jazz and Classical music in a harmonic mixture - from the latest Opus 3 Records releases.

Showcase is a test/reference sampler for people interested in music and serious High Fidelity and who wants to test or enjoy good HiFi equipment with a carefully made selection of acoustic music, World, Folk, Blues, Jazz and Classical music in a harmonic mixture - from the latest Opus 3 Records releases.

Ikuyo Nakamichi, who made her debut in Japan and Europe in 1987, is one of the most outstanding and sought-after pianists in Japan. With a broad repertory ranging from Classical to Romantic, Nakamichi has performed as a soloist with Japan's leading orchestras as well as many European and American orchestras. Nakamichi has an exclusive recording contract with Sony Music Japan International and has released many CDs, including an album which set a record as the top-selling classical music recording to date. Particularly with her recordings of the six piano concertos with Deutsche Kammerphilharmonie Bremen under the baton of Paavo Järvi, she has firmly established her reputation as “Beethoven performer Ikuyo Nakamichi”.

Once the least performed and recorded of Gustav Mahler's symphonies, due mostly to its taxing length, the Symphony No. 2 "Resurrection" in C minor now appears with some regularity on disc and with increasing frequency on SACDs. This recording from Exton, featuring Zdenek Mácal and the Czech Philharmonic Orchestra, is remarkable for its spacious sound, close-up details, and wide-frequency range, and the interpretation is on a par with many other first-rate performances, so finding points of distinction between them is perhaps a futile endeavor, especially since only aficionados of this work will detect them. Mácal is certainly attuned to Mahler's extreme mood swings and a unique mix of innocent reverence and sardonic parody, and there is nothing lacking in the CPO's brilliant execution of the score, which displays many extended techniques and an extraordinary palette of tone colors.

Miyuji Kaneko was born in 1989 to a Japanese father and a Hungarian mother. At the age of six, he moved to Hungary alone to study under Zsuzsa Cs. Nagy at the Bartok Elementary School of Music. In 2001 at the age of eleven, he was accepted into the Franz Liszt Academy of Music, skipping grades and studying with professors Gabor Eckhardt, Gyongyi Kevehazi, and Rita Wagner. He has won first prizes in many international music competitions, including the 2008 Bartok International Piano Competition.

The second volume of many tracks from the Japanese Venus Records catalog. This sampler includes tracks from Phil Woods, Eric Alexander, Tsuyoshi Yamamoto, Alexis Cole, and many more.

The new Italian ensemble a.k.a. I Solisti Filarmonici Italiani is a long-established ensemble that was predecessor of the Italian ensemble, known as an expert in baroque music along with I Musici, inspired by the “Roma ensemble” that prevailed in the 1970s. This is a super ensemble that includes the masters of the Italian violin world, Federico Guglielmo, and the heavyweights that support the Italian music world both in name and reality. The sound of the golden strings and the flowing ensemble give us a blissful time.