La finta giardiniera was a resounding success: after the first performance 1774 in Rome, the opera was translated into several languages and staged in many other European cities and inspired Mozart to write an opera of the same title. This world premiere recording by the ensemble l'arte del mondo shows the exceptional skills of this little-known composer. The Spanish Catalan soprano Nuria Rial is famous for her shining, crystal clear and beautiful voice and is one of the best baroque voices for baroque arias. She was described as "a silvery sounding voice, as clear as a bell."
In its day La scuola de’ gelosi (1778) was one of the best-known comic operas by Antonio Salieri (1750–1825), remaining a box-office hit for decades. All the more astonishing is the fact that it could sink into obscurity. Even Goethe was excited by this masterpiece: “The opera is the audience’s favourite, and the audience is right. It contains an astonishing richness and variety, and the subject is treated with the most exquisite taste. I was moved by every aria.” In the wake of its world premiere in Venice in 1778, La scuola de’ gelosi was performed in opera houses all over Europe, from Dresden, Vienna, Prague and Paris to cities as far away as London and St Petersburg, before it passed into near-oblivion.
When this opera's oratorio was rediscovered in 1928, it was first believed to be composed by Mozart. But in fact it was a piece of the last opera of the Prague composer Josef Myslivecek (1731-1781), with whom Mozart had friendly relations and who indeed was inspired by Myslivecek’s work. This world premiere recording of the opera “Medonte” by the ensemble l’arte del mondo shows imposingly the exceptional skills of this wrongly neglected composer. Recorded live at the Bayer Kulturhaus, Leverkusen.