Dalesman From June 2015

Frank Zappa - 200 Motels - The Suites - Los Angeles Philharmonic (2015) {2CD Zappa Records ZR0019}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 523 Mb | MP3 @320 -> 238 Mb
Full Artwork @ 600 dpi (png) -> 795 Mb | 5% repair rar
© 1971, 2015 Zappa Records / The Zappa Family Trust / Universal | ZR 20019 / 00824302001929
Classical / Rock / Experimental / Suite

Official Release #101. On the evening of October 23, 2013, Walt Disney Concert Hall was the place to be in Los Angeles, as Esa-Pekka Salonen conducted the Los Angeles Philharmonic and the Los Angeles Master Chorale in a spectacular, sold-out orchestral performance of Frank Zappa's 200 Motels (The Suites). Recorded for posterity, the acclaimed, one-night-only 13-suite performance of Zappa's 1971 masterwork will be released worldwide on November 20 by Zappa Records/UMe. This 2CD release's expertly recorded audio brings the listener back to Walt Disney Concert Hall to experience the exciting 200 Motels (The Suites) spectacle, complemented by photos from the evening and essays by the show and recording's producers, Gail Zappa and Frank Filipetti, the evening's director James Darrah, 'Scoremeister' Kurt Morgan, and performers including Diva Zappa, Michael Des Barres, special guest 'Rock' rhythm section drummer Joe Travers, and former Zappa band member Scott Thunes. Essays by some notable members of the audience, including Steve Vai and Peter Asher, are also included.

The Concerto Grosso is a popular Baroque form, in which two instrumental groups complete against each other: a small group of soloists and the tutti of the orchestral group. It is the forerunner of the solo concerto form, which features only one solo instrument. This set present the complete Concerti Grossi by Pietro Antonio Locatelli, modelled on the popular concerti grossi of his teacher Corelli. The writing as might be expected from Locatelli the devil violinist, is highly virtuosic and brilliant, inventive in harmony and counterpoint, written to impress and entertain.

Esoteric Recordings are proud to announce the release of a newly re-mastered and expanded edition of the classic 1968 album by Procol Harum. Released in the UK in December 1968, "Shine on Brightly" followed on from the huge international success in 1967 of the band's debut single 'A Whiter Shade of Pale' and the follow up single 'Homburg' and built on the creative path begun on Procol Harum's self-titled debut album issued in January 1968. Gary Brooker (voice, piano), Robin Trower (lead guitar), David Knights (bass guitar), B.J. Wilson (drums) and Matthew Fisher (Hammond organ) took the music of the band to new heights with this, their second album. Dominated by the 17-minute epic suite 'In Held 'Twas in I', Procol Harum re-wrote the rule book of popular music with the material written and recorded for "Shine On Brightly"…

Prog rock pioneer Steve Hackett is releasing "Premonitions - The Charisma Recordings 1975-1983", a comprehensive reissue project that includes his first 6 albums, together with a wealth of previously unavailable recordings as well as remixes by Steven Wilson. ‘Premonitions’ comes in a super deluxe box set featuring a total of 135 songs on 10 CDs and 4 DVDs, plus an extensive booklet. Also included in this version are 67 previously unreleased recordings between old and new tracks, live and remixes.

Figures of Harmony: Songs of Codex Chantilly c. 1390 - Ferrara Ensemble, Crawford Young (2015) {4CD Outhere-Arcana A382}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.22 Gb | MP3 @320 -> 663 Mb
Full Artwork @ 300 dpi (png) -> 258 Mb | 5% recovery rar
© 2015 Outhere Music / Arcana | A382
Classical / Medieval / Early Music / Vocal Music / Chamber Music / Instrumental

Presented in a stylish 4-CD box set, here is a comprehensive recording of one of the most enigmatic manuscripts in the history of European music, preserved in the museum at the Château de Chantilly, France. ‘Anything that can be sung, can be written in music notation,’ claimed an anonymous treatise on notation in the late fourteenth century. The harmonies thus ‘captured’ on parchment represent an apex in Western music, associated with the wealthiest courts in Christendom, called ‘decadent’ by some.