Dalesman From June 2015

Necromonkey is the collaboration between drummer Mattias Olsson who was part of the founding members of swedish band Änglagård, of which he left in 2012, and keyboardist David Lundberg from Gösta Berlings Saga. The two first met in 2008 while working on Gösta Berlings Saga's second album Detta har hänt and thought about working together. 2010 saw the begining of the writing and recording for their first album Necroplex in Olsson's Roth-Händle studios in Stockholm. Their vision was not about making an Änglagård meets Gösta Berlings Saga kind of album but instead focusing on something new which will reflect everything they love in music. Necroplex was released in 2013 and showed how fertile this duo is, making an album deeply rooted in modern electronic but still incorporates a huge amount of acoustic and electric instruments. Olsson and Lundberg both handle most of the instruments, aided by a big line up of session musicians. The two didn't wait long before releasing a second album, A Glimpse Of Possible Endings is already finished and due to be released in 2014.

This is a recording produced by the original line-up of the band, Asia, when they toured in support of the album XXX, released back in 2012.The venue for the recording was the Regency Ballroom in San Francisco and the date was the 7th November 2012…

Well, it does exactly what it says on the box. The 57 tracks on this 'Magic Bus' compilation run from the late 1960s to the early 1970s, but, with remarkable perspicacity, the compiler has mixed them up very cleverly. The CDs are called 'Turn On', 'Tune In' and 'Drop Out' and the songs on each one reflect, more or less, their monikers. Thus, on CD1 Scott McKenzie rubs shoulders with Barry McGuire, CD2 is full of singer-songwriters; Dylan, Cat Stevens and the like; whilst CD3 rocks it up with Steppenwolf and Cream. What this collection is selling is nostalgia and it does it very, very well. Anyone who grew up through the years in question will remember every one of these songs and probably sing along with them too. It has to be said that there are two major omissions though, there is nothing by either The Beatles or The Rolling Stones. Down to licensing presumably. That said, this is an absolutely classic collection that has been selected with extreme care and, dare it be said, love.

As a man not familiar with the classic rock act Asia, I must say that this live concert (originally recorded back in 2012 at the Regency Ballroom) comes as a breath of fresh air and served as a bit of a break from all of the extreme heavy metal that I pound my eardrums with on a daily basis. First and foremost, the listener is getting a concert performance of ridiculously high clarity, which is always a major factor for me in live albums.

Starting with the careening "From Out of Nowhere" driven by Roddy Bottum's doomy, energetic keyboards, Faith No More rebounded excellently on The Real Thing after Chuck Mosley's was fired. Given that the band had nearly finished recording the music and Mike Patton was a last minute recruit, he adjusts to the proceedings well…