Damien Canzittu, Marc Demeuse

Reggae Film Star is Damien Jurado’s 18th full length studio album and the second on his own record label Maraqopa Records. 25 years since his debut album Waters Ave S. came out, Jurado is more prolific, driven and creative than ever. The twelve mystical songs on Reggae Film Star are gorgeously cinematic and feature rich production and diverse sonic textures. Reggae Film Star was produced by Damien Jurado at Sonikwire in Irvine, CA, with invaluable help from the dream team of multi instrumentalist Josh Gordon and recording engineer Alex Bush. The album was mastered by Greg Calbi at Sterling Sound.

On November 1st, 2023, Jurado released his 21st studio album, Passing the Giraffes, on Maraqopa Records. The release is Jurado's third studio album of 2023.

In the post-Renaissance period, the lamento established a place for itself in both vocal and instrumental music. This grief-stricken utterance in the face of death – one’s own imminent demise, that of a loved one, a lamentation that may be either sacred or secular – conveys a sentiment of melancholy that verges on the inexpressible…

A composer who led a dissolute life and ended up stabbed to death in Genoa, Stradella nevertheless left a distinctive stamp on the history of music. He is situated at the intersection of several stylistic paths and periods, at the crossroads between opera and sacred drama, since his output, and especially San Giovanni Battista (St John the Baptist), marks the encounter of the great Roman oratorio inherited from Carissimi with the Venetian opera of Cavalli. Stradella is also close to the next generation, that of Scarlatti and Handel. His music is characterised by liveliness, expressiveness and profound humanity. Although San Giovanni Battista enjoyed genuine success when it was premiered in 1675, it was only in 1949 that the work was exhumed from the libraries where its score lay slumbering. That event took place in Perugia, and the role of Salome was sung by Maria Callas.

Accompanied by his ensemble Le Banquet Céleste, the countertenor Damien Guillon places his voice at the service of a programme of vocal pieces by the German Baroque composer Philipp Heinrich Erlebach, a large part of whose output was destroyed in a fire at Rudolstadt Castle in 1735. Among the works that have come down to us are the two collections Harmonische Freude musikalischer Freunde, containing respectively fifty and twenty-five arias for one to four solo voices, instrumental ensemble and basso continuo. Most of the German texts of these pieces depict humankind at the mercy of an unpredictable and volatile destiny.