Damon Fowler's Practice Sessions: Blues Slide

Besides being phenom guitar players in their respective styles, what do Barney Kessel, Joe Pass, George Benson, Kenny Burrell, Grant Green, Jimi Hendrix, Steve Howe, Pat Martino, Pat Metheny, Lee Ritenour, Larry Coryell, Stevie Ray Vaughan, Eric Johnson, Joe Satriani, and Steve Lukather all have in common? They all credit Wes Montgomery as one of their biggest influences. Truth is that EVERYBODY, regardless of their preferred style, has been influenced by Wes in one significant way or another. Tom Wolfe takes you directly to the source of this inspiration with this collection of 50 Hard Bop Blues Licks You MUST Know.

Essential Building Blocks & Creative Approaches for Soloing You’ve got a grip on a handful of chords, can play a few blues rock rhythm patterns, and you might even know a few tasty licks, but can’t yet pull off an engaging solo. No worries — you’ve done a great job getting here but it's now time for you to push through to the next level with Jeff McErlain’s Beginner Blues Rock Soloing.

This 2CD set contains the A and B side of every 78 and 45 released in the period 1952 to 1962. It features original releases from Trumpet, Meteor, Flair, Checker, Modern, Chief, Vee Jay, Fire and Enjoy. The recordings were produced mainly in Chicago and New York with others made in Mississippi, New Orleans and Los Angeles and constitutes as formidable a body of work as could be found anywhere in blues history.

Blues on the South Side is probably the best album slide guitarist Homesick James ever laid down (originally for Prestige in 1964). The stylistic similarities to his cousin, the great Elmore James, are obvious, but Homesick deviates repeatedly from the form. Tough as nails with a bottleneck, he goes for the jugular on "Goin' Down Swingin'", "Johnny Mae", and "Gotta Move", supported by pianist Lafayette Leake, guitarist Eddie Taylor, and drummer Clifton James.