Dan Schilling

A spy is suddenly aware she's being stalked through the streets of an overseas city. A special ops soldier intuitively recognizes something's "off" during a high-risk mission. In these life-threatening situations experts know exactly how to use their senses and what actions to take. At the intersection of The Gift of Fear and Make Your Bed, THE POWER OF AWARENESS will make sure you will, too.

The Kontor Summer Jam 2018 is the absolute dance music compilation for the summer with its tracklist. At current well over 30 degrees, of course, people prefer it more outside and so find across the Republic abundant outdoor events instead. As one would expect from compilations by Kontor Records, there is of course also a MiniMix in this case. If you still have not got the right music in the middle of summer. The Kontor Summer Jam 2018 is just right here, because here you get over 60 top tracks, which are currently in full swing. If we take a look at the tracklist at this point, we will find plenty of top tracks from e.g. Armin van Buuren, Lost Frequencies, Robin Schulz, The Chainsmokers, Dave Darell, Impeccable & Crazy and many more. The release of the new Kontor Summer Jam is scheduled for the August 2018.

Der Verlag zählt mit Stand 2019 mit rund 9.000 lieferbaren Werken, etwa 85 Fachzeitschriften und einer jährlichen Produktion von bis zu 1500 Publikationen zu den großen deutschen Buch- und Zeitschriftenverlagen. Mit Beck-Online bietet der Verlag eine Online-Datenbank für juristische Fachinformationen an.

"If you grew up in the ‘80s and had even the smallest of passing interest in music, particularly club music, chances are you were very familiar, albeit unwittingly, with the work of John Morales. On the radio, in the record racks and most importantly on the dancefloor John’s work (predominately with studio partner Sergio Munzibai) helped define an era and influence future generations of DJs, producers and artists.
Born into a hard working Puerto Rican household in the Bronx, New York, at the start of the rock ‘n’ roll era, Morales, like many children of the era, was fascinated by this new art-form that was saturating the airwaves and rebelling parents everywhere. So in love with the music he heard, as a 12-year old he persuaded his local record store to give him a part-time job with payment not in dollars, but in 45s. By the time he was old enough to get a full-time job his burgeoning record collection had helped land him one of his first DJ gig at the influential Stardust Ballroom in the Bronx (his father had early owned a bar in Jersey City where John had first got the DJ bug). As his reputation grew Morales was invited downtown to Manhattan to play guest spots at the likes of Pippins, Bentleys, 1018, Limelight and the infamous Studio 54.