Shakatak hasn’t changed their signature style in over 50 albums and that’s the reason why their fans stay faithful to this group. Shakatak are Bill Sharpe (keyboards), Jill Saward (vocals), Roger Odell (drums) and George Anderson (bass). Their new album is In The Blue Zone and will be released on June 28, 2019 in Europe and on August 9, 2019 in the States.
Conventional wisdom has it that all the B-52's' subsequent releases are highly inferior to their debut. While Wild Planet is not the rarefied wonder their first platter is, it's still darn good. The songs here are generally faster, tighter, and punchier than previously, though production values are not as wonderfully quirky and detailed; fewer songs here are as over-the-top crazy as the first album's "Rock Lobster" or "52 Girls." These formless selections continue to exhibit a cunning mix of girl group, garage band, surf, and television theme song influences, all propelled along by an itchy dance beat. "Give Me Back My Man" allows Cindy Wilson a unique opportunity to croon a broad, expressive melodic line. Fred Schneider parades his inimitably nervous vocals on chucklesome ditties like "Quiche Lorraine" and "Strobe Light." The best songs here are "Private Idaho," a wonderfully jittery number that employs a variant on the famous melodic snippet from the Twilight Zone theme music, and "Devil in My Car," a delightfully loopy hoot that lays the craziness on very thickly. Performances and sound quality are fine. This album is well worth hearing and recommended.
The Legacy festival has grown into a true concept in the festival world in a short time. Legacy celebrates its 5-year anniversary on 16 June. Once again, more than 12,000 (!) Visitors can enjoy house and techno on four different internships in the magical surroundings of the Zilvermeer in Mol.
4 CDs with the very best 90's Party and Retro Classics! The biggest 90's bangers of the 90s from. Fiocco, 2 Unlimited, Gigi D'Agostino, Culture Beat, Snap !, Virtual Zone, Sash, Gala, Vengaboys… I Love The 90's is the ultimate 90's collector. An unforgettable trip to the heyday of the legendary 90's Dance.
Player epitomized what mainstream soft pop/rock was all about in the late '70s – and that was the sound of Los Angeles. The band's self-titled debut followed through on the promise of their debut hit single, "Baby Come Back," particularly on "This Time I'm in It for Love," but also with its abundant offering of mellow keyboards, layered harmonies, and spacious production. This was laid-back but engaging, and the band displayed some serious musical chops, occasionally sounding like a sweet, streamlined Steely Dan. Some of the same characteristics were evident on their next record, Danger Zone, but as that title illustrates, this was a tougher affair. From the beginning, heavy guitars are pushed to the forefront, and this is no mistake – Player is playing harder this time around, adding a little bit of metal and a little bit of prog to their basic sound.