Baritone Konstantin Krimmel, voted ‘Best Newcomer’ of the year at the 2023 Oper! Awards in Germany and a member of the eminent Bavarian State Opera company since 2021, presents his third recording for Alpha Classics. In close partnership with pianist Daniel Heide, he places his artistry and his feeling for words at the service of the lied repertory. This is also an opportunity to discover his vision of the work, an unexpectedly contemporary, socio-psychological analysis: ‘ Die schöne Müllerin is a work that romanticises the development of a mental illness, and shows, unfiltered, how a young person can feel without a tempered emotional world. With all its dark sides.’
Schuberts Die schöne Müllerin ist eine Bewährungsprobe für jeden Liedsänger. Der Südtiroler Bariton Andrè Schuen hat sich ihr gestellt und veröffentlicht den zeitlosen Liederzyklus als sein Debütalbum bei Deutsche Grammophon – gemeinsam mit dem Pianisten Daniel Heide.
Schubert’s enigmatic final collection of songs, Schwanengesang, is the subject of baritone Andrè Schuen and his longstanding accompanist Daniel Heide’s second release for DG. Baritone Andrè Schuen calls Schwanengesang “my greatest love among the Schubert lieder. Especially the Heine settings; they move me the most!” His admiration for the cycle dates back to a time before he had even become a professional singer: “It’s one of the first lied compositions I got to know. I remember a recording with Dietrich Fischer-Dieskau that I played over and over again.”
Andrè Schuen releases his debut album on DG after signing as an exclusive artist 2020. Together with his partner pianist Daniel Heide, he performs Schubert’s Die schöne Müllerin. Andrè and Daniel have been performing together since Andrè’s early twenties, next to their stellar musical performance they are sparking with enthusiasm and wit in conversation with each other and the audience.
ME and the middle and later ones. A result of the the Pandemic and challenging the re discovery of Beethoven’s sonatas Vol. III.