Dariya Panasevych & Arsen Asanov Dramatique

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The Fantaisie sur la Tempête de Shakespeare was composed shortly after Berlioz had won the coveted Prix de Rome (at the fourth attempt) with his cantata Sardanapale, and was originally conceived as a concert overture, with chorus. After various re-workings of the material, the four-movement Fantaisie, as recorded here, became the finale of Berlioz’s ‘monodrama’ Lélio – a juxtaposition of existing material interlinked with dramatic monologues recited by the ‘artist’ at the centre of the work.

The Fantaisie sur la Tempête de Shakespeare was composed shortly after Berlioz had won the coveted Prix de Rome (at the fourth attempt) with his cantata Sardanapale, and was originally conceived as a concert overture, with chorus. After various re-workings of the material, the four-movement Fantaisie, as recorded here, became the finale of Berlioz’s ‘monodrama’ Lélio – a juxtaposition of existing material interlinked with dramatic monologues recited by the ‘artist’ at the centre of the work.

Joe Montragon, pauvre ouvrier agricole d'un village du Nouveaux Mexique, décide un jour d'irriguer son champ en détournant l'eau d'un chantier immobilier. Son acte va provoquer une véritable révolution à la fois apre et burlesque qui ira au-delà de ce village perdu.

In Milagro, a small town in the American Southwest, Ladd Devine plans to build a major new resort development. While activist Ruby Archuleta and lawyer/newspaper editor Charlie Bloom realize that this will result in the eventual displacement of the local Hispanic farmers, they cannot arouse much opposition because of the short term opportunities offered by construction jobs. But when Joe Mondragon illegally diverts water to irrigate his bean field, the local people support him because of their resentment of water use laws that favor the rich like Devine. When the Governor sends in ruthless troubleshooter Kyril Montana to settle things quickly before the lucrative development is cancelled, a small war threatens to erupt