Dark City (1950)

Charlie Parker with Strings is a jazz album by Charlie Bird Parker. The compact disc, released in January 1995, is based on the two 10-inch long-playing records Bird with Strings (Vol. 1/2), which were recorded on November 30, 1949 and July 5, 1950 by Mercury Records in New York City and released in 1950.

SEE- The Dance of the seven orgies! SEE- The duel to the death with 100-pound battle axes! SEE- The seduction of Renaldo, the White Knight, by the dark daughter of Damascus! SEE- The mammoth battle between Heathens and Knights for the Holy Sepulcher!

Amazon Review by Stuart Jefferson
If you're a blues fan chances are you're already familiar with (if you don't already own) some/many/all of these albums. But if you don't own these sets (or have only a few) this is a good way to own all 20 albums in one nice, neat box. The sound is the same as the individual albums which is very good for the various periods when these tracks were originally recorded. The jackets are fairly thick cardboard and are reproductions of the original covers. The outer box is also of good quality. There's a 34 page booklet that has a few paragraphs on each disc, and track lists, but no detailed liner notes to really put this music into some kind of perspective, but information on these artists and styles is available in various blues books/encyclopedias and on the internet.

Borrowing heavily from the impressionism of Debussy and Ravel, pianist Bill Evans brought an introverted, relaxed, and lyrical classical sensibility into jazz. Along with his keen technical ability and nuanced sense of harmony, Evans worked to democratize the role of the bassist and drummer in his succession of piano trios, encouraging greater contrapuntal interplay. After gaining widespread attention as a member of Miles Davis' late-'50s group, Evans garnered further acclaim for his own work, leading a celebrated trio with bassist Scott LaFaro and drummer Paul Motian and recording classic albums like 1960's Portrait in Jazz, 1961's At the Village Vanguard, and 1962's Waltz for Debby, the latter of which borrowed its title from the pianist's best-known composition.