Fruit d'une longue collaboration entre l'anthropologue B. Albert, le chaman D. Kopenawa et la Fondation Cartier, ce recueil rassemble des entretiens, des observations et des photographies effectués sur le terrain, chez les Yanomami du Brésil, à propos des savoirs et des pratiques de cette communauté. …
A while ago, the Afro-Cuban die was cast when certain musicians from Cuba and northern Africa felt as if they grooved to a similar drummer. The traditions of that subgenre thrive today as more and more musicians like Cuban pianist Roberto Fonseca and Malian guitarist/vocalist Fatoumata Diawara feel inclined to bridge the Altantic through the power of music. Their chance meeting led to a 45 day tour of Europe as a seven-piece band and At Home: Live in Marciac is the resulting album. Right from its opening bars, this album crackles. Fonseca’s clavinet lays down a funky foundation, the crowd begins to clap along on the second and fourth beats, and the entire band are off and running. “Sowa” quickly becomes an Afro-Cuban call to worship. And for her part, Diawara is just getting warmed up.
"Fantasia" aptly describes this exuberant debut by drummer/percussionist Duduka Da Fonseca. Many tracks feature him with his partners in Trio da Paz (guitarist Romero Lubambo, bassist Nilson Matta), but there's also a rotating cast of jazz heavyweights: guitarist John Scofield, trumpeters Tom Harrell and Claudio Roditi, saxophonists Joe Lovano, David Sanchez, and Billy Drewes, pianists Kenny Werner and Marc Copland, and more. The results are upbeat, melodic, and richly textured, with ample and inspired improvisations – the above names virtually guarantee it.
ABUC is the 8th album by Roberto Fonseca hes released under his own name and the first to appear on the Impulse! label. Teeming with rascally rhythms and burly brass and woven from allusions, souvenirs and contrasts, ABUC is a kaleidoscope of dancing colors with which Roberto tells a story: the great and rich story of Cuban music, from yesterday to today.