An alter ego (second or different self) is both a close companion to the individual as well as an additional personality. David Orlowsky and David Bergmüller are companions, however, they could hardly be more different. They hail from different musical traditions and the combination of these two instruments have no historical references. When David Orlowsky first discovered a video of David Bergmüller on the internet, he was not aware that he had encountered his musical alter ego. The two met in Berlin and mutually agreed to make music together after just a few shared notes. They became companions, which then became a duo, the duo ultimately becoming an organism. Within this organism, David and David function as opposing and complementary personalities. Together they embark on a journey into unexplored worlds of sound. The clarinet is the voice of bygone times while the lute joins to create polyrhythmic structures allowing both new and old times to flow together in their original compositions.
Never Let Me Down is the seventeenth studio album by David Bowie, released in April 1987 by EMI America. Bowie conceived the album as the foundation for a theatrical world tour, writing and recording most of the songs in Switzerland. He considered the record a return to rock 'n' roll music…
David Arkenstone's career has been a long and unusual one. On one hand, he makes new age music that takes influence from composers like John Williams, Brian Eno, and Tangerine Dream. On the other hand, most of his songs are highly based in fantasy and science fiction, taking their inspiration from the works of Mercedes Lackey and J.R.R. Tolkien. It is this bizarre mishmash of influences that produces some of the most recognized and respected instrumentals of the '80s and '90s. The album is programmed quite nicely, taking the listener on a sonic journey through Arkenstone's career by attempting to capture certain moods and styles from song to song. The transitions are flawless, leaving the listener without any tracks to skip through or slow moments…
David Arkenstone's career has been a long and unusual one. On one hand, he makes new age music that takes influence from composers like John Williams, Brian Eno, and Tangerine Dream. On the other hand, most of his songs are highly based in fantasy and science fiction, taking their inspiration from the works of Mercedes Lackey and J.R.R. Tolkien. It is this bizarre mishmash of influences that produces some of the most recognized and respected instrumentals of the '80s and '90s. The album is programmed quite nicely, taking the listener on a sonic journey through Arkenstone's career by attempting to capture certain moods and styles from song to song. The transitions are flawless, leaving the listener without any tracks to skip through or slow moments…
A symphonic musical tapestry. With three GRAMMYr nominations, twenty Billboard hits, and millions of fans worldwide, David Arkenstone has established himself as one of the foremost instrumental musicians of our time. David Arkenstone has recorded over thirty albums, has toured extensively including performances at New York's Radio City Music Hall and the Hollywood Bowl, scored dozens of films and documentaries, and composed music for the Olympics that is used to this day.