In what appears to be the first Herbie Nichols compilation of its kind, Lone Hill Jazz presents each and every master take recorded by the Herbie Nichols Trio for both the Blue Note and Bethlehem labels between May 1955 and November 1957. Here Nichols acted in collaboration with bassists Al McKibbon, Teddy Kotick, and George Duvivier, and drummers Art Blakey, Max Roach, and Dannie Richmond; such percussive support was important because one very special aspect of Nichols' music is the manner in which the drummer often carries portions of the melodic line.
Some of the most exciting piano jazz ever recorded – featured here on all of the Blue Note and Bethlehem recordings by the Herbie Nichols Trio! Nichols' heavy handed style is amazing throughout, and the record explodes with energy unheard of on other trio sessions from the time! The first 2/3 of the CD feature material from Nichols' Prophetic Herbie Nichols 10" albums on Blue Note – recorded in 1955, and featuring either Max Roach or Art Blakey backing Herbie up – on titles that include "Chit Chatting", "The Gig", "Terpsichore", "Spinning Song", "Mine", "House Party Starting", "Hangover Triangle", and "Query".
When it comes to New York’s top-shelf gigs, few pianists get the job done like David Hazeltine. Much sought for his sensitivity as an accompanist, Hazeltine is also an inventive composer and arranger who is able to bring a fresh approach to the mainstream. For his eighth set as a leader for Criss Cross, the pianist brings his talents to the fore with three originals, including a dedicatory For Cedar. Rounding out the set are a few select standards including a new twist on Dizzy Gillespie’s Tin Tin Deo.