This 1993 recording is a follow-up to an earlier duo session by Andy LaVerne and John Abercrombie, although they add bassist George Mraz and drummer Adam Nussbaum for this date. Following a rather upbeat, introspective arrangement of the standard "Beautiful Love," they stick to originals by either the pianist or the guitarist. LaVerne's "Mother of Pearl" is a shimmering post-bop work that is full of surprises, while "Opal" is a treasure of a different sort, prominently featuring Abercrombie's brittle-sounding electric guitar. Abercrombie's "Monk Like" has a quirky line much like its namesake might employ, and the unpredictable ballad "Farewell" serves as an appropriate conclusion to this enjoyable CD.
A rare Japanese-only album - one that presents familiar songs from Porgy & Bess, but delivered in a completely sublime setting - just the bass of George Mraz and the piano of Roland Hanna - opening up with a sense of flow that really transforms each tune into a very special creative moment! Mraz is at his best here - with that round yet sharp tone that makes some of his 70s performances so wonderful - and Hanna complements his playing beautifully with his own balance of force and lyricism - maybe more sometimes on the left hand than usual, but also never slavishly tied to rhythm - just carrying a bit more of the sound without the drums.
One of a handful of the very best piano jazz interpreters in the world, Eddie Higgins takes his place along side Beegie Adair, Dick Hyman, Oscar Peterson, John Proulx, Hank Jones, and maybe five or six other masters. This CD, like all his albums is stunning in its simplicity and in its complexity. A master of interpretation, melodic invention and smooth, easy jazz at his peak.
The wonderful communication between these instruments produces an intimate and expressive masterpiece. Also included in this cut, Stella by Starlight! The XRCD is from the very rare JVC // TBM Recordings series of out of print, audiophile CDs. Extended Resolution - 20-bit Digital Technology, K2 Super Coding.
For sometime Criss Cross Jazz producer Gerry Teekens had wanted to tape pianist Cedar Walton in a trio context, and the only problem with that was Cedar's being fairly heavily booked for gigs over Christmas, '92. So it had to be an afternoon session the day after Christmas (Boxing Day, as it is called in Britain). Hence our title - Manhattan Afternoon. And a very swinging post meridian it turned out to be as the inimitable Cedar and his two cooking companions of longstanding (David Williams - bass, Billy Higgins - drums) sailed through a terrific programme of ballads, blues and jazz originals.
Two jazz legends team up for an unforgettable and moving album of classic spirituals. Bassist Charlie Haden and the late pianist Hank Jones, follow up their 1995 classic duet recording Steal Away, with this album of great songs of power, including Duke Ellington s famous Come Sunday. Come Sunday was a last collaboration between these two longtime friends and colleagues. Hank Jones died in 2010 at the age of 91, shortly after completing this album. Jones is considered the consummate jazz pianist and renowned as a soloist, accompanist, composer and arranger.
Creating sublime musical structures over the last five decades, where risk-taking, rhythmic rapport, and giving of oneself to the music are the essence, legendary bassist David Friesen's music continues to reach new pinnacles of profound expression. On disc one, his long-touring, closely knit trio with saxophonist Joe Manis and drummer Charlie Doggett went into a Portland studio to record 13 new works by Friesen. Disc Two, with Manis and Australia-based drummer, Reuben Bradley, is a bristling live performance from Vienna's Porgy & Bess jazz club during their Spring 2019 European tour. Thriving on selfless awareness and their uncanny compatibility, the trio's joyful interactions offer surprise, beauty, and depth at every turn.