David Parsons Himalaya (1989) Repost

Perhaps mainly known for his panoramic and almost cinematic Himalayan soundworlds, on Puja David continues his more recent tradition of travelling the inner horizon. And in so doing, he also invites us listeners to undertake similar journeys of our own. Puja is a mysterious and magic constellation, fuelled by the spirit and discipline of the age old Asian cultures and philosophies.

Shaman provides music and titles "evoking images of ancient and non-Western cultures". Conceptually, the album seeks to transport the listener into the mystical past of early civilization. Parsons accomplishes this by using some of today's most sophisticated music gear. Here his synth programming abilities are evident as Parsons creates sounds alien to the acoustic world. Repetitive patterns, reminiscent of '70s Berlin School, influenced by Eastern sensibilities are at the core of this release. Most of the six tracks build from a feeling of anticipation and continue on to sweep us away in a rapid swirl of synth rhythm patterns. The philosophy behind Shaman may be from the dawn of time, but the sounds are that of the 21st century.

David Parsons is always on the cutting edge of ambient world music. He is a master synthesist and a master multi-instrumentalist. He combines those talents with a deep soul and a sharp sense of sound design to create brilliant electro-tribal music. "Vajra", his first release on Groove Unlimited, is a major milestone in that style. While he emphasizes his use of electronics, David brings acoustic and ethnic instruments to the table as well. On this cd he uses no vocals but the music chants in its own language at its own pace. The messages vary but they tend to be about love, devotion, harmony and peace. The messages are not subtle. David's soundworlds are remarkably calm and intense. He uses very few rhythmic elements but the pace is overt. The juxtapositions enhance the listening experience.

Gram Parsons' legend is so great that it's easy for the neophyte to be skeptical about his music, wondering if it really is deserving of such effusive praise. Simply put, it is, and if you question the veracity of that statement, turn to Rhino's peerless double-disc set, Sacred Hearts and Fallen Angels: The Gram Parsons Anthology. This is the first truly comprehensive overview of Parsons' work, running from the International Submarine Band, through the Byrds, to the Flying Burrito Brothers and his two solo albums, scattering appropriate rarities or non-LP tracks along the way…

David Sylvian - Weatherbox (1989) {5CD Box Set + DVD, Virgin Records DSCD1 rec 1983-1987}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 961 Mb | MP3 @320 -> 478 Mb
DVD5 -> 1.63 Gb | All Regions | PAL 4:3 | Dolby AC3, 2 ch | ~ 26m | ISO Image
Full Artwork @ 300 dpi (jpg) -> 180 Mb | 5% repair rar
© 1983-87, 1989 Virgin Records | DSCD1
Rock / Experimental Rock / Art Rock / Ambient

DAVID SYLVIAN Weatherbox (Rare 1989 UK deluxe 5-CD box set spanning David's career and his many collaborations. Includes the releases: Brilliant Trees, Alchemy, Gone To Earth, Gone To Earth - Instrumental [Exclusive to this box set] and Secrets Of The Beehive. Also includes a 60 page booklet which documents each release and all the musicians involved plus fold-out poster. The artwork and design is by Russell Mills and Dave Coppenhall with sliding lid on the top of the box. The accompanyment by the likes of Bill Nelson, Sakamoto, Jansen/Barbierri/Karn, Russell Mills, Robert Fripp, Michael Brooks et al bears testimony to just how many TALENTED ARTISTS are influenced and eager to work w/ Mr. Sylvian.

Although often associated with the blues, only one of the ten selections on this quartet set by pianist Gene Harris (who is joined by guitarist Ron Eschete, bassist Ray Brown, and drummer Jeff Hamilton) is technically a blues. On this excellent all-around showcase for the soulful pianist, Harris sounds in prime form exploring such tunes as "This Masquerade," "Don't Be That Way," Eddie Harris' "Listen Here," and "The Song Is Ended." Listen Here! gives listeners a pretty definitive look at Gene Harris' accessible and swinging style.

Pianist George Shearing planned to revisit his roots in Dixieland and swing but he hedged his bets. Despite having an impressive septet with such players as cornetist Warren Vache, Ken Peplowski on tenor, trombonist George Masso and clarinetist Kenny Davern, Shearing wrote out most of the ensembles, taking away from the spontaneity and potential excitement of the music. Despite the interesting repertoire (ranging from "Truckin'," "Honeysuckle Rose" and "Jazz Me Blues" to "Take Five," "Desafinado" and even a Dixiefied "Lullaby Of Birdland"), this date falls far short of its potential.

Another great example of what Rhino does so well, Anthology brings together no less than 27 of Tommy James and the Shondells' nuggets on one disc. Along with good liner notes from Parke Puterbaugh, who interviewed James extensively (James himself contributes a slew of fun and informative anecdotes about many of the songs) and the usual skilled remastering job, it makes for one heck of a collection. James himself sums up his own appeal best of all: "We were really having fun, and you can hear it in the grooves." "Hanky Panky" understandably kicks things off, but the collection really doesn't take off until the just-plain-irresistible "I Think We're Alone Now," notably (and some would argue memorably) covered by Tiffany in the late '80s…