David Endings

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A great opening system which doesn't require much memorisation, is easy to play and can produce attacking brilliancies

Terminal 81 is an indie job simulation, mystery, and psychological horror game with retro visual aesthetics. The game takes place in 2008, in a fictitious neighborhood in the city of São Paulo, in Brazil.

In a modern fantasy world, college dropout Grace is granted the power of a Muse - power she’ll need to find out the truth behind her predecessor’s death before time runs out. You’ll decide who Grace allies with, who she can trust, and who may betray her in this beautifully hand-illustrated roleplaying musical.

On their final album, Ambrosia forsakes the airbrushed AOR sounds that defined Life Beyond L.A. and One Eighty in favor of a strong, rock-oriented sound. They are aided in this aim by a gutsy production from James Guthrie (a producer better known for his work with groups like Judas Priest and Pink Floyd) that takes the group to a new level of sonic firepower. Songs like "For Openers" and "Still Not Satisfied" reverberate with a newfound sense of rock & roll muscle: The drums kick, the basslines throb, and the guitars and Hammond organ wail with abandon. Even Ambrosia's trademark ballads benefit from their newly beefed-up sound: "Feelin' Alive Again" features the airy harmonies and delicate keyboard shadings expected from this style of song, but it also gains an added sense of dramatic weight from Burleigh Drummond's thick drumming and piercing, emotional guitar solos from David Pack.