New age music and ancient shrines seem to work well together, as evidenced by top-selling concert CDs and videos (now DVDs) by Keiko Matsui and Yanni over the years. Kitaro's idea for a greatest-hits collection performed at the sacred Yakushiji Temple in Nara, the ancient Japanese capitol, is more about beauty and intimacy than sheer spectacle, although it would be fun to imagine this dramatic presentation in its native setting. The music on this double disc was taken from three live concerts in the summer of 2001, the first concerts ever presented in the temple proper. Not that you need the background to be swept away into the dreamy mysticism that defines Kitaro's twist on the universe, but this temple is the resting place of the ashes of Genjo Sanzo, the seventh century monk who walked the Silk Road from Japan to India, returning from India with the sacred texts that introduced Buddhism into China and Japan.
Keyboardist Craig Taborn’s Daylight Ghosts is his third ECM release as a leader, a quartet album following acclaimed solo and trio recordings. In addition to Taborn on piano and electronic keyboards and drummer Dave King, the quartet features two New York jazz luminaries, reed player Chris Speed and bassist Chris Lightcap. Each member draws from a broad artistic background, as informed by rock, electronica and diverse strains of world music as by the various permutations of jazz improvisation. Daylight Ghosts is animated by dynamism and spectral ambience, acoustic and electric sounds and groove and lingering melody.
As we know Humphrey Robertson's the most well known synthdance project Daylight is modern instrumental synthdance music. 16 tracks of pure synth energy! The guy behind Projects like Daylight, Hypnosis, Ciber People, Based On Bass, etc. In 1984 he released his first Record with Fresh Color (ZYX) as lead singer/song-writer. One Album and Three singles. After touring with bands in the italo disco scene (Valerie Dore, MikoMission, Fancy, CC Catch etc.) he went into recording, he recorded a lot of italo disco projects also two singles that were composed and performed by himself (will be released someday as a cd collection).
Between Daylight and Dark is Mary Gauthier's (pronounced Go-Shay) sixth full-length offering, and a compelling step forward from 2005's Mercy Now. Produced by Joe Henry with most of the musicians who played on his Civilians album and Loudon Wainwright III's Strange Weirdos – Patrick Warren, Jay Bellerose, Greg Leisz, and David Piltch, with Wainwright and Van Dyke Parks making guest appearances – it possesses a deeply centered, almost organic sound; one that reverberates the intentions of the songwriter without trying to meet the sound head on. Henry is able to present songwriters as strong presences, as the still centers of a chaotic, frenetic world that whirls all around them, leaving them unaware of the presence of his voice ordering it without being swallowed in the process.
Toshiki Kadomatsu (角松敏生 Kadomatsu Toshiki) (born 12 August 1960) is a Japanese rock/R&B singer-songwriter, musician, and producer. He has released many studio albums, as well as several instrumental and live albums. He studied Philosophy at Nihon University. He has been active since at least 1981 and is still active, having released his most recent album in March 2012. In 1987 he released the hit instrumental album "SEA IS A LADY" which charted at #4.
Two obscure but very enjoyable and complementary former Lps are reissued in full on this generous CD. The first half of the disc is primarily a showcase for trumpeter Clark Terry who is joined by Mike Simpson (on tenor and flute) in a sextet. C.T. sounds a bit more influenced by Dizzy Gillespie at this time than he would but he was already quite distinctive on such numbers as "Candy," "Blues For Daddy O's Jazz Patio Blues" and "Basin Street Blues." "Phalanges" is a hot bop line (by Louie Bellson) that deserves to be revived while "Trumpet Mouthpiece Blues" sounds like an ancestor of "Mumbles."
'As Daylight Fades' was recorded at one of Jadis' now legendary outdoor gigs in the New Forest, Hampshire, in 1996, two years prior to it's official release. Chronologically, it was recorded after the completion of the first two studio albums, but also after the departure of both Orford and Jowitt, who left to concentrate on the time consuming production of IQs 'Magnum Opus', 'Subterranea', (although Martin 'Iffy' Orford does make a guest appearance toward the end of the show, to play flute on 'More Than Meets The Eye').