Daylight Surprise Chef

All-star jams can go two ways. They either turn out a muddled mess, or inspire everyone involved to new heights of musical synergy. Fortunately for blues, R&B, and soul fans, Triple Trouble belongs firmly in the latter category. It helps that Castro, Jones (guitar), and Hall (sax, harmonica) have different strengths, which complement one another nicely. It also helps having the renowned Double Trouble on board; one couldn't ask for a tighter, tastier backup band. Together, this group ranges all over the musical map, from traditionally-inflected blues ("Raised in the Country") to James Brown-style funk ("Cold Funk"). With Telarc Records clean, crisp production every note comes out clear, showcasing these three artists to their best advantage. They might not be superstars, but they've got their mojo workin'.

You're having a dinner party. The in-laws are going to be there. So are some of your closest "after-hours" friends. You need music, something mellow but not despicably insipid. Welcome to a 12 disc set that will cover all the above bases. Featuring Dido, Coldplay, Morcheeba, Zero 7, Lazy Lover , Second Sense & many more ... So sit back and enjoy the Ultra Chilled tracks.

Una compilation con i maggiori successi tutti da ascoltare nell’imminente 2020 è Hit Mania 2020. La compilation è stata mixata da Luigi Mastroianni. Ecco la cover del nuovo disco, in uscita venerdì 13 dicembre.

The Antidote is the fifth album by Morcheeba, released in 2005. It features Daisy Martey on vocals in replacement of Skye Edwards and is the band's first album with Echo Records.

Pablo Honey in no way was adequate preparation for its epic, sprawling follow-up, The Bends. Building from the sweeping, three-guitar attackRadiohead that punctuated the best moments of Pablo Honey, Radiohead create a grand and forceful sound that nevertheless resonates with anguish and despair – it's cerebral anthemic rock. Occasionally, the album displays its influences, whether it's U2, Pink Floyd, R.E.M., or the Pixies, but Radiohead turn clichés inside out, making each song sound bracingly fresh. Thom Yorke's tortured lyrics give the album a melancholy undercurrent, as does the surging, textured music. But what makes The Bends so remarkable is that it marries such ambitious, and often challenging, instrumental soundscapes to songs that are at their cores hauntingly melodic and accessible. It makes the record compelling upon first listen, but it reveals new details with each listen, and soon it becomes apparent that with The Bends, Radiohead have reinvented anthemic rock.

Free - The Complete Mini LP Set (1968-1973) {2002 Island Japan UICY-9130~9203, Disk Union Promo Box}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.99 Gb | MP3 @320 -> 1.22 Gb
Full Artwork @ 600 dpi (jpg) -> 138 Mb | 5% repair rar
© 1968-73, 2002 Island / Universal Japan | UICY-9130~32 / UICY-9200~03
Rock / Blues Rock / Hard Rock / Classic Rock

Famed for their perennial "All Right Now," Free helped lay the foundations for the rise of hard rock, stripping the earthy sound of British blues down to its raw, minimalist core to pioneer a brand of proto-metal later popularized by 1970's superstars like Foreigner, Foghat and Bad Company. Free formed in London in 1968 when guitarist Paul Kossoff, then a member of the blues unit Black Cat Bones, was taken to see vocalist Paul Rodgers' group Brown Sugar by a friend, drummer Tom Mautner.

Welcome to another selection of modern progressive music for you to enjoy, with the latest Prog cover CD (10/05/2018). Frequency Drift, Laura Meade and many more.

Free's second album was recorded with the band itself in considerable turmoil. Principal songwriters Paul Rodgers and Andy Fraser demanded strict discipline from their bandmates, and guitarist Paul Kossoff in particular equally demanded the spontaneity and freedom that had characterized the group's debut. It was an awkward period; both Kossoff and drummer Simon Kirke came close to quitting, and only the intervention of Island label chief Chris Blackwell seems to have prevented it. Few of these tensions, however, are evident on the finished album. (Tribute, again, to Blackwell's powers of diplomacy.) He replaced original producer Guy Stevens early into the sessions and, having reminded both warring parties where the band's strengths lay, proceeded to coax out an album that stands alongside its predecessor as a benchmark of British blues at the turn of the 1970s.