Dead Can Dance ‎ Sacd Box Set (2008) [cd Layers] Re up

Limited edition of 1500 copies. Housed in a white cardboard box, containing another black velvet box and all albums and the EP, re-mastered on hybrid stereo SACD in vinyl replica sleeves. SACD mastered at Mobile Fidelity Sound Lab…

This is the second of Brilliant's box sets devoted to Russian recordings from Evgeny Kissin. Labeled as early, these live concert performances from 1984 to 1990 carry us from the day after Kissin turned 13 (Mozart Cto. #12 K. 414) to age 18 (Mozart Cto. #20, K. 466), with most readings clustering in the range of 1985-89. Russians were well aware of the marvel in their midst; the pianist's American breakthrough occurred in 1990 when he debuted at Carnegie Hall's centennial season.

Dutch rock band the Cats were popular during the late '60s and early '70s, releasing a bunch of English-language hits and full-length albums during this peak period. Founded in the mid-'60s in Volendam, the Netherlands, the band was comprised of Cees Veerman (vocals, guitar; born October 6, 1943), Piet Veerman (vocals, guitar; born March 1, 1943), Jaap Schilder (guitar, piano; born January 9, 1943), Arnold Muhren (bass; born January 28, 1944), and Theo Klouwer (drums; born June 30, 1947). the Cats made their album debut in 1967 with Cats as Cats Can, and at least one new album followed each year until the swan song release The End of the Show (1980).

An odd catalog repackaging timed to coincide with the spring 2015 release of Tokyo Dome in Concert, Van Halen's first-ever live album with David Lee Roth, Deluxe contains that two-disc set and adds the new 2015 remasters of Van Halen and 1984, all housed in a simple little box. It's an affordable way to get good-sounding remasters of two of VH's best, along with a solid latter-day live album, but the lack of so many other great Van Halen records only makes you wonder why this couldn't feature all of the band's Warner albums with Diamond Dave.

Dutch rock band the Cats were popular during the late '60s and early '70s, releasing a bunch of English-language hits and full-length albums during this peak period. Founded in the mid-'60s in Volendam, the Netherlands, the band was comprised of Cees Veerman (vocals, guitar; born October 6, 1943), Piet Veerman (vocals, guitar; born March 1, 1943), Jaap Schilder (guitar, piano; born January 9, 1943), Arnold Muhren (bass; born January 28, 1944), and Theo Klouwer (drums; born June 30, 1947). the Cats made their album debut in 1967 with Cats as Cats Can, and at least one new album followed each year until the swan song release The End of the Show (1980). Some of the band's most popular hits include "Times Were When" (1968), "Lea" (1968), "Why" (1969), "Scarlet Ribbons" (1969), "Marian" (1969), "Magical Mystery Morning" (1970), "Where Have I Been Wrong?" (1970), "One Way Wind" (1971), "Let's Dance" (1972), "There Has Been a Time" (1972), "Let's Go Together" (1973), "Maribaja" (1973), "Rock 'n' Roll" (1973), "Be My Day" (1974), and "Come Sunday" (1974).

Dutch rock band the Cats were popular during the late '60s and early '70s, releasing a bunch of English-language hits and full-length albums during this peak period. Founded in the mid-'60s in Volendam, the Netherlands, the band was comprised of Cees Veerman (vocals, guitar; born October 6, 1943), Piet Veerman (vocals, guitar; born March 1, 1943), Jaap Schilder (guitar, piano; born January 9, 1943), Arnold Muhren (bass; born January 28, 1944), and Theo Klouwer (drums; born June 30, 1947). the Cats made their album debut in 1967 with Cats as Cats Can, and at least one new album followed each year until the swan song release The End of the Show (1980). Some of the band's most popular hits include "Times Were When" (1968), "Lea" (1968), "Why" (1969), "Scarlet Ribbons" (1969), "Marian" (1969), "Magical Mystery Morning" (1970), "Where Have I Been Wrong?" (1970), "One Way Wind" (1971), "Let's Dance" (1972), "There Has Been a Time" (1972), "Let's Go Together" (1973), "Maribaja" (1973), "Rock 'n' Roll" (1973), "Be My Day" (1974), and "Come Sunday" (1974).

Dutch rock band the Cats were popular during the late '60s and early '70s, releasing a bunch of English-language hits and full-length albums during this peak period. Founded in the mid-'60s in Volendam, the Netherlands, the band was comprised of Cees Veerman (vocals, guitar; born October 6, 1943), Piet Veerman (vocals, guitar; born March 1, 1943), Jaap Schilder (guitar, piano; born January 9, 1943), Arnold Muhren (bass; born January 28, 1944), and Theo Klouwer (drums; born June 30, 1947). the Cats made their album debut in 1967 with Cats as Cats Can, and at least one new album followed each year until the swan song release The End of the Show (1980). Some of the band's most popular hits include "Times Were When" (1968), "Lea" (1968), "Why" (1969), "Scarlet Ribbons" (1969), "Marian" (1969), "Magical Mystery Morning" (1970), "Where Have I Been Wrong?" (1970), "One Way Wind" (1971), "Let's Dance" (1972), "There Has Been a Time" (1972), "Let's Go Together" (1973), "Maribaja" (1973), "Rock 'n' Roll" (1973), "Be My Day" (1974), and "Come Sunday" (1974).

Touted as a personally curated compilation by Paul McCartney, Pure McCartney is the first McCartney compilation since 2001's Wingspan: Hits and History. A full 15 years separated this and Wingspan, longer than the span between that double-disc set and 1987's All the Best, but the 2001 set also stopped cold in 1984, leaving over 30 years of solo McCartney recordings uncompiled on hits collections. In both its standard two-CD and deluxe four-disc incarnations, Pure McCartney attempts to rectify this, going so far as to include "Hope for the Future," his song for the 2014 video game Destiny. A fair chunk of the compilation rests upon songs heard on Wings Greatest, All the Best, and Wingspan – "Jet," "Uncle Albert/Admiral Halsey," "Another Day," "Mull of Kintyre," "Let Em In," "Band on the Run," "No More Lonely Nights," "Live and Let Die," "Say Say Say," "Listen to What the Man Said," and "Silly Love Songs" are all de rigueur – so the interesting things lie in the margins, or in the music made since 1984.