Dead Moon Crack In The System

Legendary artist and studio maestro Alan Parsons has announced the release of a new live album entitled “The Neverending Show: Live in the Netherlands” on November 5, 2021. The show was recorded live on May 5, 2019 and showcases the performance that Alan Parsons Live Project held at the Tivoli in Utrecht, Netherlands. The band was, as usual, in fine form and fed extra energy by an enthusiastic audience.

Bassist and composer Milo Fitzpatrick (Portico Quartet) launches new collaborative project with saxophonist Jordan Smart (Mammal Hands).

During the Grateful Dead’s legendary 30-year run, the band often visited its northern neighbours in Portland, Seattle, and less-than-often Vancouver. Even so, official live recordings from those cities are something of a rarity. Pacific Northwest ’73-’74: Believe It If You Need It highlights some of the best performances from Grateful Dead’s time in the northwest.

The Dead South grow more adventurous and assured with each new album. For their fourth full-length record, they brought producer Jimmy Nutt to Mexico City, where they recorded 13 songs full of plot twists, family trees, grudges, insurance scams, bacon, burials, banjo riffs and more. The Dead South flawlessly execute banjo rolls and lightning fast mandolin tremolos, 3-part harmonies and songs of classic themes -murder ballads, disloyalty, ghosts and the like, with a wink and a smile. Where Bluegrass meets Bach meets Billy Talent, for fans of Frank Sinatra and Tool alike, you’ll find The Dead South’s Chains & Stakes. Chains & Stakes is truly a “Dead South” collection in the balance of darkness and levity that has come to define their unmistakable style.

Fan the Flame (Part 1) is the fifth studio album from dance music band Dead or Alive and was released in 1990.[2] Epic Records released Fan the Flame (Part 1) in Japan only. The album remained an exclusive in this territory until the worldwide release of the Sophisticated Boom Box MMXVI compilation box set in 2016. The album contains a slight change in musical style for Dead or Alive, best known for Hi-NRG and dance-pop songs. Fan the Flame (Part 1) contains more mid-tempo songs and melancholy lyrical content.

"In Concert" is the second live album by Australian band Dead Can Dance, following 1994's "Toward the Within". It was recorded during the Anastasis world tour. Various versions of the album contained different track listings. The digital download featured the same 16 songs as the limited triple-vinyl box set and the double CD deluxe edition, which are live performances of all Anastasis compositions plus the traditional Arabian song "Lamma Bada", a cover of Tim Buckley's "Song to the Siren" and some earlier Dead Can Dance material.

Master craftsman James Welburn’s new LP, Sleeper in the Void, marks the 50th Miasmah release. The six years after his monumental debut have bred six tracks Welburn brings to fruition with the help of past co-conspirators from the Norwegian underground scene - Tomas Järmyr (Motorpsycho, Zu, Barchan), Hilde Marie Holsen (Hubro Records), and vocal artist Juliana Venter (W/V, Phil Winter).

Ambition got the better of Brad Paisley on 2013's Wheelhouse, coaxing him into the briar patch that was "Accidental Racist" an ill-conceived cross-cultural duet with LLCool J which generated a flurry of headlines that camouflaged how the album straight-up flopped on country radio. Wheelhouse was Paisley's first record since Play not to go gold, and even that is misleading because that 2008 effort was an instrumental album and those never sell in large numbers; subtract that from his stats and the 2013 record achieves the ignoble status of his first-ever album not to reach gold and, perhaps more importantly, his first not to generate a number one single.

Ann Hampton Callaway is not your typical jazz songbird. For one thing, she's an accomplished and award-winning songwriter, which is unusual in a field dominated by interpreters. But what's most surprising is her voice – it's a low alto instrument with a rich, dark, butterscotchy tone, and when she gets way down into her lower range the effect can be downright startling.

At the time of the release of SBB MMXVI in 2016, Pete Burns and Steve Coy had indicated that they wanted to revisit an album that they had started to record in 1990. Unfortunately, tragedy struck and they didn’t get the opportunity to do so.